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Analysing performance: narrative and ideology in concerts by ¡Karaxú!
9 references·5 citing·31 second hop
Analysing performance: narrative and ideology in concerts by ¡Karaxú! (1989)Analysing performance: narrative and ideo…Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression (1990)Sound and sentiment: birds, w…Culture and Communication (1989)Culture and CommunicationVerbal Art as Performance (1986)Verbal Art as PerformanceOn the Edge of the Bush: Anthropology as Experience (1986)On the Edge of the Bush: Anth…Sound Structure as Social Structure (1984)Sound Structure as Social Str…La Nueva Canción Latinoamericana (1984)La Nueva Canción Latinoameric…Sound and Sentiment, Birds, Weeping, Poetics and Song in Kaluli Expression (1983)Sound and Sentiment, Birds, W…Culture and Communication (1976)Culture and CommunicationVerbal Art as Performance1 (1975)Verbal Art as Performance1Political Participation and Engagement in East Germany Through ChileanNueva Canción (2022)Political Participation and E…Discourse in Música Latinoamericana Cultural Projects from Nueva Canción to Colombian Canción Social (2015)Discourse in Música Latinoame…Auditeurs en exil : le cas des Chiliens à Montréal et leur rapport à deux chansons emblématiques (2013)Auditeurs en exil : le cas de…“One More Tune!” The Encore Ritual in Live Music Events (2012)“One More Tune!” The Encore R…Dancingcueca“with your coat on”: The role of traditional Chilean dance in an immigrant community (2001)Dancingcueca“with your coat o…Steps to an Ecology of Mind (1973)Handbook of social and cultural anthropology. (1974)Linguistics and Poetics (1981)The Place of Story in the Study of Teaching and Teacher Education (1993)Style: Language Variation and Identity (2007)The Invention of Tradition (1986)Common Culture: Symbolic Work At Play In The Everyday Cultures Of The Young (1990)Music, Culture, and Experience: Selected Papers of John Blacking (1995)Transforming Communities, Recreating Selves: Interconnected Diasporas, Performance, and the Shaping of Liberian Immigrant Identity (2013)Ethnographic Atlas: A Summary (1967)Folk Song Style and Culture. (1969)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Innate talents: Reality or myth? (1998)What Is Sociological about Music? (2010)Putting Hierarchy in Its Place (1988)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The Cultural Anthropology of Time: A Critical Essay (1992)When Mickey Loses Face: Recontextualization, Semantic Fit, and the Semiotics of Foreignness (2004)The Cultural Mind: Environmental Decision Making and Cultural Modeling Within and Across Populations. (2005)Socialization tactics and newcomer adjustment: A meta-analytic review and test of a model (2006)Revolutionary songs in a gentrifying city: stylistic change and the economics of salvage in southern Mexico (2018)‘La voz del pueblo y para el pueblo’ Amparo Ochoa’s vocal trajectory: From the Mexican Revolution to the Latin American Cold War (2020)Personal narratives: Perspectives on theory and research (1989)Performing politics (2008)Foundations for an anthropology of the senses (1997)The Case for Sound Symbolism (1999)Provisional notes on the postcolony (1992)An Anthropology of Knowledge (2002)A Sociocultural Analysis of a Midwestern American Flea Market (1990)History, Structure, And Ritual (1990)Collective Effervescence and Communitas: Processual Models of Ritual and Society in Emile Durkheim and Victor Turner (2001)
this work references cited by second hop

References

  • 1986Verbal Art as Performance1,278 cited
  • 1975Verbal Art as Performance11,126 cited
  • 1990Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression789 cited
  • 1983Sound and Sentiment, Birds, Weeping, Poetics and Song in Kaluli Expression695 cited
  • 1976Culture and Communication595 cited
  • 1984Sound Structure as Social Structure346 cited
  • 1986On the Edge of the Bush: Anthropology as Experience325 cited
  • 1989Culture and Communication293 cited
  • 1984La Nueva Canción Latinoamericana64 cited

Cited by

  • 2001Dancingcueca“with your coat on”: The role of traditional Chilean dance in an immigrant community16 cited
  • 2015Discourse in Música Latinoamericana Cultural Projects from Nueva Canción to Colombian Canción Social6 cited
  • 2012“One More Tune!” The Encore Ritual in Live Music Events6 cited
  • 2013Auditeurs en exil : le cas des Chiliens à Montréal et leur rapport à deux chansons emblématiques5 cited
  • 2022Political Participation and Engagement in East Germany Through ChileanNueva Canción3 cited

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