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From princely service to the open market: Singers of Italian opera and their patrons, 1600–1850
12 references·3 citing·29 second hop
From princely service to the open market: Singers of Italian opera and their patrons, 1600–1850 (1989)From princely service to the open market:…The Castrati as a Professional Group and a Social Phenomenon, 1550-1850 (1988)The Castrati as a Professiona…The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario (1985)The Opera Industry in Italy f…The Opera Industry In Italy From Cimarosa To Verdi: The Role Of The Impresario (1984)The Opera Industry In Italy F…Production, consumption and political function of seventeenth-century opera (1984)Production, consumption and p…Haydn: Chronicle and Works: (1983)Haydn: Chronicle and Works:Music and Patronage in Sixteenth-Century Mantua (1982)Music and Patronage in Sixtee…The geography of Florentine monody: Caccini at home and abroad (1981)The geography of Florentine m…Venezia e il melodramma nel Settecento (1978)Venezia e il melodramma nel S…The New Grove (1975)The New GroveLettere, dediche, e prefazioni (1973)Lettere, dediche, e prefazioniHandel; A Documentary Biography (1955)Handel; A Documentary Biograp…Tutte le opere (1951)Tutte le opereDivas and Divos (2015)Divas and DivosPostures lyriques: L'ajustement voix-rôle dans le travail interprétatif du chanteur soliste (2000)Postures lyriques: L'ajusteme…Gilbert-Louis Duprez and Gustave Roger in the composition of Meyerbeer's Le Prophète (1996)Gilbert-Louis Duprez and Gust…Literaturgeschichte als Provokation (1971)Storia della letteratura italiana (1987)Die Musik in Geschichte und Gegenwart (1989)Why Venice? Venetian Society and the Success of Early Opera (2005)HD Opera: A Love/Hate Story (2011)The Cambridge History of Music Criticism (2019)Barbara Strozzi, "virtuosissima cantatrice": The Composer's Voice (1978)Scenes from the life of Silvia Gailarti Manni, a seventeenth-centuryvirtuosa (1996)Inventing the Opera House: Theater Architecture in Renaissance and Baroque Italy (2018)The Venetian privilege and music-printing in the sixteenth century (1983)Women and Music in Sixteenth-Century Ferrara (2018)The Cambridge History of Sixteenth-Century Music (2019)Handel the Investor (2004)The Politics of Handel's Early London Operas, 1711–1718 (2005)With Eyes on the East and Ears on the West: Handel's Orientalist Operas (2005)Magic Mirrors and the Seria Stage: Thoughts toward a Ritual View (1995)Vocal performance in the seventeenth century (2012)Wagner and the Aesthetics of the Scream (1983)Beethoven's "Orpheus in Hades": The "Andante con moto" of the Fourth Piano Concerto (1985)To Understand Verdi and Wagner We Must Understand Mozart (1987)Influence: Plagiarism and Inspiration (1980)Haydn's Theater Symphonies (1990)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)The castrato as history (1996)The Cambridge History of Musical Performance (2012)Social control and the censorship of Giuseppe Verdi's operas in Rome (1844–1859) (1999)Verdi, Politics, and "Va, pensiero": The Scholars Squabble (2005)Opera and Absolutism in Restoration Italy, 1815–1860 (2006)Italy, the Ancient World and the French Musical Inheritance in the Sixteenth Century: Arcadelt and Clereau in the Service of the Guises (1996)
this work references cited by second hop

References

  • 1985The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario157 cited
  • 1984Production, consumption and political function of seventeenth-century opera155 cited
  • 1983Haydn: Chronicle and Works:109 cited
  • 1982Music and Patronage in Sixteenth-Century Mantua90 cited
  • 1988The Castrati as a Professional Group and a Social Phenomenon, 1550-185081 cited
  • 1978Venezia e il melodramma nel Settecento68 cited
  • 1955Handel; A Documentary Biography59 cited
  • 1984The Opera Industry In Italy From Cimarosa To Verdi: The Role Of The Impresario54 cited
  • 1981The geography of Florentine monody: Caccini at home and abroad38 cited
  • 1975The New Grove38 cited
  • 1973Lettere, dediche, e prefazioni16 cited
  • 1951Tutte le opere7 cited

Cited by

  • 2015Divas and Divos20 cited
  • 1996Gilbert-Louis Duprez and Gustave Roger in the composition of Meyerbeer's Le Prophète20 cited
  • 2000Postures lyriques: L'ajustement voix-rôle dans le travail interprétatif du chanteur soliste9 cited

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