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CORRELATION BETWEEN SPECTRAL, SEM/EDX AND ELECTROCHEMICAL PROPERTIES OF MAYA BLUE: A CHEMOMETRIC STUDY*
16 references·12 citing·32 second hop
CORRELATION BETWEEN SPECTRAL, SEM/EDX AND ELECTROCHEMICAL PROPERTIES OF MAYA BLUE: A CHEMOMETRIC STUDY* (2009)CORRELATION BETWEEN SPECTRAL, SEM/EDX AND…Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach (2007)Chemometric Study of Maya Blu…SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT* (2006)SYNTHESIS AND ACID RESISTANCE…Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach (2006)Dehydroindigo: A New Piece in…The colour of ochres explained by their composition (2005)The colour of ochres explaine…Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Raman spectroscopic analysis …Maya Blue: A Computational and Spectroscopic Study (2005)Maya Blue: A Computational an…The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice (2003)The Nature of the Colour Cent…Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Crystal structure refinements…Does the Standardization of Ceramic Pastes Really Mean Specialization? (2000)Does the Standardization of C…Maya Blue Paint: An Ancient Nanostructured Material (1996)Maya Blue Paint: An Ancient N…Materials Issues in Art and Archaeology (1991)Materials Issues in Art and A…High‐performance liquid chromatography of blue and purple indigoid natural dyes (1991)High‐performance liquid chrom…Ethnomineralogy of Ticul, Yucatan Potters: Etics and Emics (1971)Ethnomineralogy of Ticul, Yuc…Étude et Identification du 'Bleu Maya' (1967)Étude et Identification du 'B…Maya Blue: An Unsolved Problem in Ancient Pigments (1962)Maya Blue: An Unsolved Proble…Maya Blue: Alternative Hypotheses (1962)Maya Blue: Alternative Hypoth…Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model (2018)Composition and Color of Maya…Electroanalytical techniques in archaeological and art conservation (2017)Electroanalytical techniques …Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment (2013)Redox Tuning and Species Dist…On the dehydroindigo contribution to Maya Blue (2013)On the dehydroindigo contribu…Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry (2013)Identification of indigoid co…Discovery of indigoid-containing clay pellets from La Blanca: significance with regard to the preparation and use of Maya Blue (2013)Discovery of indigoid-contain…The first direct evidence of pre-columbian sources of palygorskite for Maya Blue (2012)The first direct evidence of …Tracing, authenticating and dating archaeological metal using the voltammetry of microparticles (2011)Tracing, authenticating and d…From Maya Blue to “Maya Yellow”: A Connection between Ancient Nanostructured Materials from the Voltammetry of Microparticles (2011)From Maya Blue to “Maya Yello…Insertion of indigo molecules in the sepiolite structure as evidenced by 1H–29Si heteronuclear correlation spectroscopy (2010)Insertion of indigo molecules…Characterization of Maya Blue pigment in pre-classic and classic monumental architecture of the ancient pre-Columbian city of Calakmul (Campeche, Mexico) (2010)Characterization of Maya Blue…Central petén blue pigment: A maya blue source outside of Yucatán, México (2009)Central petén blue pigment: A…Maya Blue: A Clay-Organic Pigment? (1966)A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)Painting Materials: A Short Encyclopedia (2011)Ceramics for the archaeologist (1956)Archaeology as Anthropology (1962)The Rise of Anthropological Theory (1970)The Identification of Vessel Function: A Case Study from Northwest Georgia (1986)Archaeological Theory and Scientific Practice (2001)A study of ancient pottery by means of X-ray fluorescence spectroscopy, multivariate statistics and mineralogical analysis (2006)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)The pigments from Pinnacle Point Cave 13B, Western Cape, South Africa (2010)Identification of pigments on Byzantine wall paintings from Crete (14th century AD) using non-invasive Fiber Optics Diffuse Reflectance Spectroscopy (FORS) (2013)Effect of particle size on pigments colour (2016)The materials and techniques of medieval painting (1956)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy (2005)Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Pottery Technology: Principles and Reconstruction (1981)Ceramic Theory and Cultural Process (1987)Pottery Analysis: A Sourcebook. (1990)The Use of Ethnoarchaeology for the Archaeological Study of Ceramic Production (2000)The Political Economy of Craft Production (2003)Bitumen as a hafting material on Middle Palaeolithic artefacts (1996)Looking through pots: recent advances in ceramics X-radiography (2007)Mineral soda alumina glass: occurence and meaning (2010)Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)In situ Raman and IR spectroscopic analysis of indigo dye (2010)Imaging Mass Spectrometry with a Low‐Temperature Plasma Probe for the Analysis of Works of Art (2010)Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)The Invention of Blue and Purple Pigments in Ancient Times (2007)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)
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References

  • 1996Maya Blue Paint: An Ancient Nanostructured Material249 cited
  • 1991Materials Issues in Art and Archaeology213 cited
  • 2000Does the Standardization of Ceramic Pastes Really Mean Specialization?196 cited
  • 2005The colour of ochres explained by their composition195 cited
  • 2003Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction194 cited
  • 2005Maya Blue: A Computational and Spectroscopic Study163 cited
  • 1971Ethnomineralogy of Ticul, Yucatan Potters: Etics and Emics142 cited
  • 2005Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico133 cited
  • 2006SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT*122 cited
  • 1962Maya Blue: An Unsolved Problem in Ancient Pigments118 cited
  • 2006Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach108 cited
  • 2003The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice86 cited
  • 1962Maya Blue: Alternative Hypotheses81 cited
  • 1967Étude et Identification du 'Bleu Maya'81 cited
  • 2007Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach

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77 cited
  • 1991High‐performance liquid chromatography of blue and purple indigoid natural dyes74 cited
  • Cited by

    • 2013On the dehydroindigo contribution to Maya Blue39 cited
    • 2012The first direct evidence of pre-columbian sources of palygorskite for Maya Blue39 cited
    • 2011Tracing, authenticating and dating archaeological metal using the voltammetry of microparticles35 cited
    • 2017Electroanalytical techniques in archaeological and art conservation32 cited
    • 2010Insertion of indigo molecules in the sepiolite structure as evidenced by 1H–29Si heteronuclear correlation spectroscopy31 cited
    • 2013Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment30 cited
    • 2010Characterization of Maya Blue pigment in pre-classic and classic monumental architecture of the ancient pre-Columbian city of Calakmul (Campeche, Mexico)29 cited
    • 2018Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model26 cited
    • 2013Discovery of indigoid-containing clay pellets from La Blanca: significance with regard to the preparation and use of Maya Blue21 cited
    • 2013Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry20 cited
    • 2009Central petén blue pigment: A maya blue source outside of Yucatán, México18 cited
    • 2011From Maya Blue to “Maya Yellow”: A Connection between Ancient Nanostructured Materials from the Voltammetry of Microparticles16 cited