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Perhaps the most distinctive aspect of Italian-language rap in the 1990s has been the close association of some popular performers with the nation's radical Left. Through a critical reading of the imagery, lyrics and other writings of two of Italy's best known rap bands, this essay seeks to explore the tensions between cultural labour and political commitment in the social centres movement.
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Stored only when both papers are in the corpus — 29 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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