SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Sympathy with the devil? Music of the psycho post-Psycho
0 references·6 citing·16 second hop
Sympathy with the devil? Music of the psycho post-Psycho (2004)Sympathy with the devil? Music of the psy…Great Expectations? The Changing Role of Audiovisual Incongruence in Contemporary Multimedia (2017)Great Expectations? The Chang…The Composer and the Studio (2016)The Composer and the StudioThe Cambridge Companion to Film Music (2016)The Cambridge Companion to Fi…Film-Music Theory (2016)Film-Music TheoryMellifluous Terror (2014)Mellifluous TerrorIt’s a sin […] using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music’: The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal (2012)It’s a sin […] using Ludwig v…Emotion and Meaning in Music (1957)Audio-vision: sound on screen (1994)Analysing Musical Multimedia (1998)Unheard melodies: narrative film music (1988)Overtones and Undertones (1994)Passionate views: film, cognition, and emotion (1999)Story and Discourse: Narrative Structure in Fiction and Film (1979)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Narratology: introduction to the theory of narrative (1998)Lo Duca and Dreyer: Baroque Music, Extant Recordings, and Aleatoric Synchrony (2020)Postmodernism, or, The cultural logic of late capitalism (1991)Dialectic of Enlightenment, 2011 (2011)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Korngold in America (2025)Film Form: Essays in Film Theory (1949)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2016The Cambridge Companion to Film Music43 cited
  • 2017Great Expectations? The Changing Role of Audiovisual Incongruence in Contemporary Multimedia12 cited
  • 2012It’s a sin […] using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music’: The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal7 cited
  • 2014Mellifluous Terror4 cited
  • 2016The Composer and the Studio3 cited
  • 2016Film-Music Theory3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work