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The Birth of “Rok”: Cultural Imperialism, Nationalism, and the Glocalization of Rock Music in South Korea, 1964–1975
9 references·5 citing·37 second hop
The Birth of “Rok”: Cultural Imperialism, Nationalism, and the Glocalization of Rock Music in South Korea, 1964–1975 (2010)The Birth of “Rok”: Cultural Imperialism,…The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism (2018)The Postcolonial Aura: Third …Popular Music: The Key Concepts (2017)Popular Music: The Key Concep…Modernity at Large: Cultural Dimensions of Globalization. (1998)Modernity at Large: Cultural …Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)Glocalization: Time-Space and…World Music, Politics and Social Change. (1990)World Music, Politics and Soc…The consequences of modernity (1990)The consequences of modernityThe music industry and the `cultural imperialism' thesis (1986)The music industry and the `c…On Deconstruction. Theory and Criticism after Structuralism (1984)On Deconstruction. Theory and…Big Sounds from Small People: The Music Industry in Small Countries (1984)Big Sounds from Small People:…Made in Korea: Studies in Popular Music (2017)Made in Korea: Studies in Pop…Rock Nacional and Revolutionary Politics: The Making of a Youth Culture of Contestation in Argentina, 1966-1976 (2014)Rock Nacional and Revolutiona…Itaewon's suspense: masculinities, place-making and the US Armed Forces in a Seoul entertainment district (2014)Itaewon's suspense: masculini…The success of hopelessness (2012)The success of hopelessnessEMULATING MODERN BODIES (2012)EMULATING MODERN BODIESCycles in Symbol Production: The Case of Popular Music (1975)Popular Music: Concentration and Diversity in the Industry, 1974–1980 (1982)Kiwi rock: popular music and cultural identity in New Zealand (1994)Rock Aesthetics and Musics of the World (1997)Questions of Method in Cultural Studies (2006)One Chord Wonders: Power and Meaning in Punk Rock (2016)The Invention of Tradition (1986)Is Globalization Civilizing, Destructive or Feeble? A Critique of Five Key Debates in the Social Science Literature (2001)Globalisation or ‘glocalisation’? Networks, territories and rescaling (2004)Toward a Global Idea of Race (2010)Distinction: A Social Critique of the Judgement of Taste* (2018)Korean Pop Music (2006)Pop-rock music: aesthetic cosmopolitanism in late modernity (2014)Keepin’ It Real: Authenticity, Commercialization, and the Media in Korean Hip Hop (2017)Diasporic youth culture of K-pop (2018)Trammelled stars: the non-autonomy of female K-pop idols (2022)Sex and the Spectacle of Music Videos: An Examination of the Portrayal of Race and Sexuality in Music Videos (2010)Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture (2011)Voice, place and genre in popular song performance1 (2011)Social Capital, Intellectual Capital, and the Organizational Advantage (1998)Comparing Media Systems (2004)The Practice Turn in Contemporary Theory (2005)Migrant “Illegality” and Deportability in Everyday Life (2002)How Ideas Spread: Whose Norms Matter? Norm Localization and Institutional Change in Asian Regionalism (2004)The New Mobilities Paradigm (2006)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)STORIES OF THE STORYTELLING ORGANIZATION: A POSTMODERN ANALYSIS OF DISNEY AS "TAMARA-LAND". (1995)Literary Theory: A Very Short Introduction (1999)Past Postmodernism? Reflections and Tentative Directions (1999)Two or Three Things that I Know about Culture (1999)Subjects of Empire: Indigenous Peoples and the ‘Politics of Recognition’ in Canada (2007)Classification in Art (1987)Doing Research in Cultural Studies (2003)From Cultural Exchange to Transculturation: A Review and Reconceptualization of Cultural Appropriation (2006)Israeli rock, or a study in the politics of ‘local authenticity’ (1992)Popular Music in Singapore: Exploring Local Cultures, Global Resources, and Regional Identities (1996)Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music1 (2003)
this work references cited by second hop

References

  • 1990The consequences of modernity19,342 cited
  • 1998Modernity at Large: Cultural Dimensions of Globalization.18,135 cited
  • 1995Glocalization: Time-Space and Homogeneity-Heterogeneity3,826 cited
  • 1984On Deconstruction. Theory and Criticism after Structuralism815 cited
  • 2018The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism786 cited
  • 2017Popular Music: The Key Concepts190 cited
  • 1984Big Sounds from Small People: The Music Industry in Small Countries177 cited
  • 1990World Music, Politics and Social Change.76 cited
  • 1986The music industry and the `cultural imperialism' thesis62 cited

Cited by

  • 2017Made in Korea: Studies in Popular Music38 cited
  • 2014Rock Nacional and Revolutionary Politics: The Making of a Youth Culture of Contestation in Argentina, 1966-197632 cited
  • 2012The success of hopelessness13 cited
  • 2014Itaewon's suspense: masculinities, place-making and the US Armed Forces in a Seoul entertainment district7 cited
  • 2012EMULATING MODERN BODIES2 cited

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