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Eye tracking analysis of minor details in films for audio description
16 references·5 citing·33 second hop
Eye tracking analysis of minor details in films for audio description (2012)Eye tracking analysis of minor details in…Audio Description from a discourse perspective: a socially relevant framework for research and training (2021)Audio Description from a disc…SENSATION AND PERCEPTION (2013)SENSATION AND PERCEPTIONNarration in the Fiction Film (2013)Narration in the Fiction FilmAudio narration: re-narrativising film (2010)Audio narration: re-narrativi…Discourse, Vision, and Cognition (2008)Discourse, Vision, and Cognit…Audiodescription Research: State of the Art and Beyond (2008)Audiodescription Research: St…Mouse or Rat?: Translation as Negotiation (2003)Mouse or Rat?: Translation as…NARRATIVE AS RHETORIC: TECHNIQUE, AUDIENCES, ETHICS, IDEOLOGY (1996)NARRATIVE AS RHETORIC: TECHNI…Coming to Terms: The Rhetoric of Narrative in Fiction and Film (1991)Coming to Terms: The Rhetoric…Coming to terms: the rhetoric of narrative in fiction and film (1991)Coming to terms: the rhetoric…Relevance: Communication and Cognition (1986)Relevance: Communication and …Narration in the Fiction Film (1986)Narration in the Fiction FilmThe pear stories : Cognitive, cultural, and linguistic aspects of narrative production. Edited by Wallace L. Chafe. (Advances in discourse processes, 3.) Norwood, NJ: Ablex, 1980. Pp. xix, 327. $27.50. (1981)The pear stories : Cognitive,…The Pear Stories: Cognitive, Cultural and Linguistic Aspects of Narrative Production (1980)The Pear Stories: Cognitive, …A theory of reading: From eye fixations to comprehension. (1980)A theory of reading: From eye…A theory of reading: From eye fixations to comprehension. (1980)A theory of reading: From eye…Audio Description: Concepts, Theories and Research Approaches (2020)Audio Description: Concepts, …A Cognitive Approach to Audio Description (2016)A Cognitive Approach to Audio…Visual and narrative priorities of the blind and non-blind: eye tracking and audio description (2013)Visual and narrative prioriti…Describing Facial Expressions : much more than meets the eye (2013)Describing Facial Expressions…How sound is the Pear Tree Story? Testing the effect of varying audio stimuli on visual attention distribution (2012)How sound is the Pear Tree St…A COURSE IN MODERN LINGUISTICS (1958)Toward a theory of automatic information processing in reading (1974)Toward a model of text comprehension and production. (1978)Individual differences in working memory and reading (1980)Matthew Effects in Reading: Some Consequences of Individual Differences in the Acquisition of Literacy (1986)Eye movements in reading and information processing: 20 years of research. (1998)Notes on transitivity and theme in English: Part 2 (1967)A Linguistic Approach to Narrative (1991)Common Themes and Cultural Variations in Japanese and American Mothers' Speech to Infants (1993)Click bait: Forward-reference as lure in online news headlines (2014)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)Filled pauses as markers of discourse structure (1998)Bilingual Autobiographical Memory: Experimental Studies and Clinical Cases (2000)Narrative Study: Whose Story Is It, Anyway? (2002)Beyond modularity: a developmental perspective on cognitive science (1993)Understanding and sharing intentions: The origins of cultural cognition (2005)Misinformation and Its Correction (2012)The Translator's Voice in Translated Narrative (1996)Narrative Inquiry (1999)Twelve Fallacies in Contemporary Adaptation Theory (2003)Narrative Complexity in Contemporary American Television (2006)The Routledge Handbook of Multimodal Analysis (2010)Narrative and Education (1995)The aestheticization of suffering on television (2006)Reading for Learning (2014)A Comparison of Tactile, Visual, and Auditory Warnings for Rear-End Collision Prevention in Simulated Driving (2008)Advances in the Cross‐Linguistic Study of Ideophones (2012)Exploring the conceptualization of the sensory dimension of tourist experiences (2013)Use of Thinking Aloud in Identification and Teaching of Reading Comprehension Strategies (1985)Eye Movements in Reading: Models and Data (2009)Eye movements and word skipping during reading: Effects of word length and predictability. (2011)
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References

  • 1986Relevance: Communication and Cognition6,707 cited
  • 1980A theory of reading: From eye fixations to comprehension.3,980 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 2013SENSATION AND PERCEPTION1,066 cited
  • 1981The pear stories : Cognitive, cultural, and linguistic aspects of narrative production. Edited by Wallace L. Chafe. (Advances in discourse processes, 3.) Norwood, NJ: Ablex, 1980. Pp. xix, 327. $27.50.946 cited
  • 1991Coming to terms: the rhetoric of narrative in fiction and film550 cited
  • 1980The Pear Stories: Cognitive, Cultural and Linguistic Aspects of Narrative Production520 cited
  • 1991Coming to Terms: The Rhetoric of Narrative in Fiction and Film438 cited
  • 1980A theory of reading: From eye fixations to comprehension.393 cited
  • 2003Mouse or Rat?: Translation as Negotiation348 cited
  • 1996NARRATIVE AS RHETORIC: TECHNIQUE, AUDIENCES, ETHICS, IDEOLOGY245 cited
  • 2008Discourse, Vision, and Cognition100 cited
  • 2021Audio Description from a discourse perspective: a socially relevant framework for research and training84 cited
  • 2010Audio narration: re-narrativising film80 cited

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  • 2008Audiodescription Research: State of the Art and Beyond79 cited
  • Cited by

    • 2012How sound is the Pear Tree Story? Testing the effect of varying audio stimuli on visual attention distribution38 cited
    • 2016A Cognitive Approach to Audio Description37 cited
    • 2013Visual and narrative priorities of the blind and non-blind: eye tracking and audio description28 cited
    • 2020Audio Description: Concepts, Theories and Research Approaches27 cited
    • 2013Describing Facial Expressions : much more than meets the eye27 cited