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Celluloid love songs: musical modus operandi and the dramatic aesthetics of romantic Hindi film
15 references·0 citing·30 second hop
Celluloid love songs: musical modus operandi and the dramatic aesthetics of romantic Hindi film (2008)Celluloid love songs: musical modus opera…Entertainment and utopia (2005)Entertainment and utopiaRasa Theory and Dharma Theory: From The Home and the World to Bandit Queen (2003)Rasa Theory and Dharma Theory…Cinema of Interruptions: Action Genres in Contemporary Indian Cinema (2002)Cinema of Interruptions: Acti…An understanding between Bollywood and Hollywood? The meaning of Hollywood‐style music in Hindi films (2001)An understanding between Boll…Religion, gossip, narrative conventions and the construction of meaning in Hindi film songs (2000)Religion, gossip, narrative c…All You Want Is Money, All You Need Is Love: Sex and Romance in Modern India (2000)All You Want Is Money, All Yo…Ideology of the Hindi film: a historical construction (1999)Ideology of the Hindi film: a…The diaspora comes home: Disciplining desire in DDLJ (1998)The diaspora comes home: Disc…Global Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…Melodrama and the negotiation of morality in mainstream Hindi film (1995)Melodrama and the negotiation…Cassette Culture: Popular Music and Technology in North India (1995)Cassette Culture: Popular Mus…The American Film Musical (1994)The American Film MusicalThe Hollywood Musical (1992)The Hollywood MusicalMagnitudes of performance (1990)Magnitudes of performanceThe Use of Music in Popular Film: East and West (1988)The Use of Music in Popular F…Modernity at Large: Cultural Dimensions of Globalization. (1998)Bollywood in the Indian-American diaspora (2005)Nostalgia, Identity and Tourism:Bollywoodin the Indian Diaspora (2008)Economic and Political Weekly (2017)Family Demography in India: Emerging Patterns and Its Challenges (2021)India's Middle Classes and the Environment (2004)Materializing post-colonial geographies: examining the textural landscapes of migration in the South Asian home (2004)Obsessions with Fair Skin: Color Discourses in Indian Advertising (2008)Image/Music/Voice: Song Dubbing in Hollywood Musicals (1995)The Gang's All Here: Generic versus Racial Integration in the 1940s Musical by Sean Griffin (2002)The Princess and the Magic Kingdom: Beyond Nostalgia, the Function of the Disney Princess (2004)The 'Bollywoodization' of the Indian cinema: cultural nationalism in a global arena (2003)Beyond Bollywood : the cultural politics of South Asian diasporic film (2004)Excusing the female dancer: Tradition and transgression in Bollywood dancing (2009)Realism in the twentieth-century Indian novel: colonial difference and literary form (2013)Shards and Stages: Migrant Lives, Power, and Space Viewed from Doha, Qatar (2016)Superhit hunk heroes for sale: Globalization and Bollywood's gender politics (2001)“We go to Get Ahead” (2004)Desire, Youth, and Realism in Tamil Cinema (2007)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)The Practice of Cultural Studies (2004)Anthropology and Mass Media (1993)The Production of Culture Perspective (2004)The Anthropology of Texts, Persons and Publics (2007)A Sweet Lullaby for World Music (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Boricua pop: Puerto Ricans and the Latinization of American culture (2004)Dystopian dark tourism: An exploratory examination (2015)BILDER EINER BESSEREN WELT Die Utopie im nichtfiktionalen Film (2019)
this work references cited by second hop

References

  • 1999Ideology of the Hindi film: a historical construction516 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 1994The American Film Musical212 cited
  • 1995Cassette Culture: Popular Music and Technology in North India209 cited
  • 2005Entertainment and utopia182 cited
  • 1992The Hollywood Musical151 cited
  • 2000All You Want Is Money, All You Need Is Love: Sex and Romance in Modern India125 cited
  • 1998The diaspora comes home: Disciplining desire in DDLJ104 cited
  • 1995Melodrama and the negotiation of morality in mainstream Hindi film69 cited
  • 2002Cinema of Interruptions: Action Genres in Contemporary Indian Cinema68 cited
  • 1990Magnitudes of performance57 cited
  • 2001An understanding between Bollywood and Hollywood? The meaning of Hollywood‐style music in Hindi films42 cited
  • 2003Rasa Theory and Dharma Theory: From The Home and the World to Bandit Queen36 cited
  • 1988The Use of Music in Popular Film: East and West30 cited
  • 2000Religion, gossip, narrative conventions and the construction of meaning in Hindi film songs22 cited

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