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A certain ‘Descidia Parisiace polis’, which can safely be identified with the work of Abbo of Saint-Germain-des-Prés now commonly known as theBella Parisiacae Urbis, is listed among the books given by Æthelwold to the monastery of Peterborough. We shall never know if Æthelwold's gift corresponds to any of the surviving manuscripts of Abbo's poem – though probably it does not – but the inventory gives evidence of the popularity of his work in England. In the following pages I shall consider the genesis and successive fortune of Abbo's poem and provide a new assessment of the value of theBella Parisiacae Urbis. This assessment is a necessary first step to the understanding of the reasons for the success of his poem – and specifically of its third book – in England, as is witnessed by the number of English manuscripts containing the Latin text and by the Old English gloss which was added to this small, intriguing work.
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