References

• 2011The cultural life of the early polyphonic Mass: medieval context to modern revival144 cited
• 1982Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance109 cited
• 2002The maze and the warrior: symbols in architecture, theology, and music99 cited
• 1966Aspects of Medieval and Renaissance Music. A Birthday Offering to Gustave Reese77 cited
• 1993Guerrero'sL'homme armémasses and their models58 cited
• 2000:Papal Music and Musicians in Medieval and Renaissance Rome56 cited
• 2001Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music44 cited
• 1986Antoine Busnoys and the L'Homme armé Tradition43 cited
• 1985Music and ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece36 cited
• 1994Does Imitatio Exist?28 cited
• 1961Capellae Sixtinae codices musicis notis instructi sive manu scripti sive praelo excussi26 cited
• 1984In Memoriam Dragan Plamenac: The L'Homme Arme Masses of Busnoys and Okeghem: A Comparison26 cited
• 2000A Renaissance composer writes to his patrons: Newly discovered letters from Cristóbal de Morales to Cosimo I de' Medici and Cardinal Alessandro Farnese23 cited
• 1989[Letter from Rob C. Wegman]23 cited
• 2005