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Performing and teaching: the beliefs and experience of music students as instrumental teachers
13 references·9 citing·37 second hop
Performing and teaching: the beliefs and experience of music students as instrumental teachers (2006)Performing and teaching: the beliefs and …Working in music: Becoming a performer-teacher (2004)Working in music: Becoming a …Teachers' beliefs about effective instrumental teaching in schools and higher education (2003)Teachers' beliefs about effec…Conservatoire Students' Perceptions of the Characteristics of Effective Instrumental and Vocal Tuition (2002)Conservatoire Students' Perce…Student learning in higher instrumental education: who is responsible? (2000)Student learning in higher in…Quantity and quality of musical practice as predictors of performance quality (2000)Quantity and quality of music…The Music Teacher's Dilemma — Musician or Teacher? / Das Dilemma des Musiklehrers — Musiker oder Lehrer? (1998)The Music Teacher's Dilemma —…Swedish Music Teachers in Training and Professional Life (1998)Swedish Music Teachers in Tra…Characteristics of Music Teachers and the Progress of Young Instrumentalists (1998)Characteristics of Music Teac…Gender and music (1997)Gender and musicThe role of practice in the development of performing musicians (1996)The role of practice in the d…Brilliant performers as teachers: A case study of commonsense teaching in a conservatoire setting (1996)Brilliant performers as teach…The role of deliberate practice in the acquisition of expert performance. (1993)The role of deliberate practi…The Sex-Stereotyping of Musical Instruments (1978)The Sex-Stereotyping of Music…Courage to Create: A New Music Education Degree in Instrumental and Vocal Teaching (2024)Courage to Create: A New Musi…Instrumental teaching as ‘the noblest and the most under-praised job’: multiple case studies of three Hong Kong instrumental teachers (2021)Instrumental teaching as ‘the…From student to professional: recent conservatoire graduates’ experiences of instrumental teaching (2020)From student to professional:…Instrumental and vocal teachers in the United Kingdom: demographic characteristics, educational pathways, and beliefs about qualification requirements (2019)Instrumental and vocal teache…Undergraduate students’ strategies for negotiating emerging performer and teacher identities (2017)Undergraduate students’ strat…An investigation of Taiwanese piano teachers’ reflection on teaching challenges and pupils’ learning difficulties (2016)An investigation of Taiwanese…Student perceptions of skills learned in undergraduate applied trumpet lessons (2015)Student perceptions of skills…Beyond expectations in music performance modules in higher education: rethinking instrumental and vocal music pedagogy for the twenty-first century (2015)Beyond expectations in music …How students learn to teach? A case study of instrumental lessons given by Latvian undergraduate performer students without prior teacher training (2012)How students learn to teach? …Developing Talent in Young People (1985)The role of parental influences in the development of musical performance (1996)Musical Practice: Mother and child interactions during the first year of learning an instrument (2002)The social context of musical success: A developmental account (2003)The beat goes on: music education, identity and lifelong learning (2011)Motivation and Personality (1997)A degree of independence: teachers' approaches to instrumental tuition in a university college (2005)Developing identities and attitudes in musicians and classroom music teachers (2006)Turning Into Teachers (2011)Conditions of Learning (1965)The 2 Sigma Problem: The Search for Methods of Group Instruction as Effective as One-to-One Tutoring (1984)Flow: the psychology of optimal experience (1990)Long-term working memory. (1995)EXPERT AND EXCEPTIONAL PERFORMANCE: Evidence of Maximal Adaptation to Task Constraints (1996)Child Development and Emergent Literacy (1998)Music talent, and performance: a conservatory cultural system (1988)Situated Learning: Legitimate Peripheral Participation. (1994)Interest and choice: student-selected repertoire and its effect on practising behaviour (2002)The development of practising strategies in young people (2012)Musicians as “Makers in Society”: A Conceptual Foundation for Contemporary Professional Higher Music Education (2021)Self-regulating Learning Strategies in Instrumental Music Practice (2001)USING COMPUTERS TO DELIVER TRAINING: WHICH EMPLOYEES LEARN AND WHY? (2001)Psychology for Musicians (2007)Innate talents: Reality or myth? (1998)The Influence of Experience and Deliberate Practice on the Development of Superior Expert Performance (2006)Toward a broader conception of creativity: A case for "mini-c" creativity. (2007)Career Influences of Music Education Audition Candidates (2013)Structure and agency in novice music teaching (2018)Collaborating in a competitive world: musicians’ working lives and understandings of entrepreneurship (2012)Preparing for portfolio careers in Australian music: Setting a research agenda (2012)Involuntary career transition and identity within the artist population (2016)Gender Association of Musical Instruments and Preferences of Fourth-Grade Students for Selected Instruments (1992)What's Happening to the Boys? (2003)Are Musical Instrument Gender Associations Changing? (2009)The do re mi's of everyday life: The structure and personality correlates of music preferences. (2003)Motivation, Emotion, and Cognition (2004)The role of music in adolescent development: much more than the same old song (2012)
this work references cited by second hop

References

  • 1993The role of deliberate practice in the acquisition of expert performance.9,542 cited
  • 1996The role of practice in the development of performing musicians514 cited
  • 2000Quantity and quality of musical practice as predictors of performance quality237 cited
  • 1978The Sex-Stereotyping of Musical Instruments237 cited
  • 2000Student learning in higher instrumental education: who is responsible?195 cited
  • 1998Characteristics of Music Teachers and the Progress of Young Instrumentalists135 cited
  • 1997Gender and music106 cited
  • 2003Teachers' beliefs about effective instrumental teaching in schools and higher education96 cited
  • 2004Working in music: Becoming a performer-teacher92 cited
  • 1998Swedish Music Teachers in Training and Professional Life91 cited
  • 1996Brilliant performers as teachers: A case study of commonsense teaching in a conservatoire setting85 cited
  • 1998The Music Teacher's Dilemma — Musician or Teacher? / Das Dilemma des Musiklehrers — Musiker oder Lehrer?71 cited
  • 2002Conservatoire Students' Perceptions of the Characteristics of Effective Instrumental and Vocal Tuition44 cited

Cited by

  • 2015Beyond expectations in music performance modules in higher education: rethinking instrumental and vocal music pedagogy for the twenty-first century

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22 cited
  • 2019Instrumental and vocal teachers in the United Kingdom: demographic characteristics, educational pathways, and beliefs about qualification requirements18 cited
  • 2020From student to professional: recent conservatoire graduates’ experiences of instrumental teaching12 cited
  • 2016An investigation of Taiwanese piano teachers’ reflection on teaching challenges and pupils’ learning difficulties10 cited
  • 2012How students learn to teach? A case study of instrumental lessons given by Latvian undergraduate performer students without prior teacher training9 cited
  • 2021Instrumental teaching as ‘the noblest and the most under-praised job’: multiple case studies of three Hong Kong instrumental teachers8 cited
  • 2017Undergraduate students’ strategies for negotiating emerging performer and teacher identities7 cited
  • 2024Courage to Create: A New Music Education Degree in Instrumental and Vocal Teaching2 cited
  • 2015Student perceptions of skills learned in undergraduate applied trumpet lessons2 cited