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Metal Performance Humanizing Robots, Returning to Nature, and Camping About
16 references·6 citing·32 second hop
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References

  • 1989A Thousand Plateaus: Capitalism and Schizophrenia22,694 cited
  • 1996Discipline and Punish: The Birth of the Prison.15,361 cited
  • 2019Cybernetics or Control and Communication in the Animal and the Machine5,011 cited
  • 1994Making Sex: Body and Gender from the Greeks to Freud2,964 cited
  • 2020Theses on the Philosophy of History1,284 cited
  • 1952The Human Use of Human Beings: Cybernetics and Society957 cited
  • 1990No Respect: Intellectuals and Popular Culture927 cited
  • 1976Science and Civilization in China. Volume 5: Chemistry and Chemical Technology. Part II (Spagyrical Discovery and Invention: Magisteries of Gold and Immortality)917 cited
  • 1996The war of desire and technology at the close of the mechanical age885 cited
  • 2018Frankenstein, Or The Modern Prometheus549 cited
  • 20156. Discourse on Method490 cited
  • 1999Camp: Queer Aesthetics and the Performing Subject: A Reader373 cited
  • 2001Information Arts: Intersections of Art, Science, and Technology369 cited
  • 1994Camp grounds: style and homosexuality353 cited
  • 1999Escape velocity: cyberculture at the end of the century308 cited

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2013
The Twentieth Century Performance Reader
234 cited

Cited by

  • 2020Human-Robot Interaction211 cited
  • 2020Human-Robot Interaction: An Introduction100 cited
  • 2008A hybrid control system for puppeteering a live robotic stage actor68 cited
  • 2015Theater as a Site for Technology Demonstration and Knowledge Production: Theatrical Robots in Japan and Taiwan10 cited
  • 2014Id/entity and performance: a new living work of art9 cited
  • 2013My Dinner with Stelarc: A Review of Techno-flesh Hybridity in Art8 cited