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The Limits of Vococentrism: Chris Marker, Hans Richter and the Essay Film
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References

  • 1980Writing and Difference7,689 cited
  • 1979Story and Discourse: Narrative Structure in Fiction and Film2,658 cited
  • 1992The Address of the Eye1,199 cited
  • 1958The Theater and Its Double567 cited
  • 1982Hollywood Genres: Formulas, Filmmaking, and the Studio System510 cited
  • 1999The voice in cinema246 cited
  • 1994Melodrama and meaning: history, culture, and the films of Douglas Sirk226 cited
  • 2010The personal camera: subjective cinema and the essay film212 cited
  • 2005The subject of documentary208 cited
  • 1996Claiming the real: the Griersonian documentary and its legitimations174 cited
  • 1978Movies and Methods159 cited
  • 2007Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939113 cited
  • 2026From Imitation of Life75 cited
  • 2007Translating the Essay into Film and Installation70 cited
  • 1972Towards an Analysis of the Sirkian System56 cited
  • 1996Beyond document: essays on nonfiction film46 cited

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