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On‐Site Identification of Early Böttger Red Stoneware Using Portable XRF /Raman Instruments: 2, Glaze & Gilding Analysis
16 references·14 citing·26 second hop
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porcelain and faience using a portable Raman instrument (2016)On-site identification of Sce…In situ Raman spectroscopic study of marble capitals in the Alhambra monumental ensemble (2016)In situ Raman spectroscopic s…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Pigment identification by spectroscopic means: an arts/science interface (2002)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE* (1998)Structural characterization of corrosion products on archaeological iron: an integrated analytical approach to establish corrosion forms (2004)Raman spectroscopy in art and archaeology (2006)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with 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and Glass: Solid State Chemistry, Spectroscopy and Nanostructure (2009)A Raman spectroscopic study of the Mapungubwe oblates: glass trade beads excavated at an Iron Age archaeological site in South Africa (2007)The Destructive/Non-Destructive Identification of Enameled Pottery, Glass Artifacts and Associated Pigments—A Brief Overview (2013)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)Raman scattering features of lead pyroantimonate compounds: implication for the non‐invasive identification of yellow pigments on ancient ceramics. Part II. In situ characterisation of Renaissance plates by portable micro‐Raman and XRF studies (2010)Cobalt and Associated Impurities in Blue (and Green) Glass, Glaze and Enamel: Relationships between Raw Materials, Processing, Composition, Phases and International Trade (2021)The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results (2010)Mobile Spectroscopic Instrumentation in Archaeometry Research (2016)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)
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References

  • 2008Raman identification of natural red to yellow pigments: ochre and iron‐containing ores327 cited
  • 2006Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide289 cited
  • 2003Polymerization degree and Raman identification of ancient glasses used for jewelry, ceramic enamels and mosaics283 cited
  • 2001Differentiation of antique ceramics from the Raman spectra of their coloured glazes and paintings252 cited
  • 2012The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields168 cited
  • 2005Non‐Destructive Determination of the Structure and Composition of Glazes by Raman Spectroscopy133 cited
  • 2008On-site Raman identification and dating of ancient glasses: A review of procedures and tools131 cited
  • 2008Nondestructive on‐site identification of ancient glasses: genuine artefacts, embellished pieces or forgeries?113 cited
  • 2003On‐site Raman analysis of Medici porcelain107 cited
  • 2006On‐site Raman analysis of the earliest known Meissen porcelain and stoneware101 cited
  • 2003Microstructure, composition and processing of 15th century Vietnamese porcelains and celadons99 cited
  • 2010On‐site analysis of Limoges enamels from sixteenth to nineteenth centuries: an attempt to differentiate between genuine artefacts and copies76 cited
  • 2014Toward a fast non-destructive identification of pottery: The sourcing of 14th–16th century Vietnamese and Chinese ceramic shards

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66 cited
  • 2012Pigments and enamelling/gilding technology of Mamluk mosque lamps and bottle58 cited
  • 2004Identification des porcelaines «tendres» du 18e siècle par spectroscopie Raman : Saint-Cloud, Chantilly, Mennecy et Vincennes/Sèvres43 cited
  • 2014On‐Site Identification of Early BÖTTGER Red Stoneware Made at Meissen Using Portable XRF : 1, Body Analysis42 cited
  • Cited by

    • 2020Portable X-ray Fluorescence (p-XRF) Uncertainty Estimation for Glazed Ceramic Analysis: Case of Iznik Tiles39 cited
    • 2018On-site pXRF analysis of glaze composition and colouring agents of “Iznik” tiles at Edirne mosques (15th and 16th-centuries)38 cited
    • 2024X-ray fluorescence (XRF) on painted heritage objects: a review using topic modeling34 cited
    • 2018Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings31 cited
    • 2016On-site identification of Sceaux porcelain and faience using a portable Raman instrument28 cited
    • 2021The enamels of the first (soft‐paste) European blue‐and‐white porcelains: Rouen, Saint‐Cloud and Paris factories: Complementarity of Raman and X‐ray fluorescence analyses with mobile instruments to identify the cobalt ore25 cited
    • 2019Handheld X-ray Fluorescence (XRF) Versus Wavelength Dispersive XRF: Characterization of Chinese Blue-and-White Porcelain Sherds Using Handheld and Laboratory-Type XRF Instruments25 cited
    • 2023Non-Invasive On-Site pXRF Analysis of Coloring Agents, Marks and Enamels of Qing Imperial and Non-Imperial Porcelain24 cited
    • 2018Raman microspectroscopy for Cultural Heritage studies21 cited
    • 2021Raman study of rusty oil spotted glaze produced in Linfen kilns (Shanxi province, AD 1115–1368)20 cited
    • 2023Non-Invasive On-Site XRF and Raman Classification and Dating of Ancient Ceramics: Application to 18th and 19th Century Meissen Porcelain (Saxony) and Comparison with Chinese Porcelain15 cited
    • 2016In situ Raman spectroscopic study of marble capitals in the Alhambra monumental ensemble15 cited
    • 2021Glazes and Enamels15 cited
    • 2023Timurid, Ottoman, Safavid and Qajar Ceramics: Raman and Composition Classification of the Different Types of Glaze and Pigments14 cited