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A Nation of Outsiders: How the White Middle-Class Fell in Love with Rebellion in Postwar America
0 references·4 citing·13 second hop
A Nation of Outsiders: How the White Middle-Class Fell in Love with Rebellion in Postwar America (2011)A Nation of Outsiders: How the White Midd…Race, Sexuality, and the 1920s Stage Model (2019)Race, Sexuality, and the 1920…Criminal justice in the middlebrow imagination: The punitive dimensions of Making a Murderer (2019)Criminal justice in the middl…Swindle, Rude Boys, Highschool: Über drei zeitgenössische filmische Kontextualisierungen von Punk (2016)Swindle, Rude Boys, Highschoo…The Commodification of Spectacle: Spectators, Sponsors and the Outlaw Biker Diegesis at Sturgis (2014)The Commodification of Specta…Interaction Ritual: Essays on Face-to-Face Behavior. (1968)The sublime object of ideology (1990)Dialectic of Enlightenment (2020)1988: The New Wave Punk Rock Explosion (1977)Non lieux [Auge M. (1992). Non-lieux, Introduction à une anthropologie de la surmodernité. Paris : Seuil.] (1993)In the Fascist Bathroom: Punk in Pop Music, 1977-1992 (1999)Reading the romance: Women, patriarchy and popular literature (1990)Introduction to documentary (2002)Governing Through Crime (2007)‘My Favourite Genre Is Missing People’: Exploring How Listeners Experience True Crime Podcasts in Australia (2022)Discipline and Punish: The Birth of the Prison (1978)The Managed Heart: Commercialization of Human Feeling (1984)The Cultural Politics of Emotion (2014)
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  • 2019Criminal justice in the middlebrow imagination: The punitive dimensions of Making a Murderer13 cited
  • 2014The Commodification of Spectacle: Spectators, Sponsors and the Outlaw Biker Diegesis at Sturgis11 cited
  • 2019Race, Sexuality, and the 1920s Stage Model2 cited
  • 2016Swindle, Rude Boys, Highschool: Über drei zeitgenössische filmische Kontextualisierungen von Punk2 cited

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