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Scent of a Woman: Performing the Politics of Smell in Late Medieval and Early Modern England
7 references·3 citing·32 second hop
Scent of a Woman: Performing the Politics of Smell in Late Medieval and Early Modern England (2008)Scent of a Woman: Performing the Politics…Mary Magdalene and the Drama of Saints (2004)Mary Magdalene and the Drama …Getting Medieval: Sexualities and Communities, Pre- and Postmodern (2000)Getting Medieval: Sexualities…Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches (2000)Beyond the Barrier: The Unify…Power on Display: The Politics of Shakespeare’s Genres (1996)Power on Display: The Politic…"Narcissus in thy Face": Roman Desire and the Difference it Fakes in Antony and Cleopatra (1994)"Narcissus in thy Face": Roma…Documents Relating to the Office of the Revels in the Time of Queen Elizabeth (1910)Documents Relating to the Off…The works of Thomas Middleton (1886)The works of Thomas MiddletonScent in the Context of Live Performance (2021)Scent in the Context of Live …The play of skin in The Changeling (2012)The play of skin in The Chang…Take Five: Renaissance Literature and the Study of the Senses (2009)Take Five: Renaissance Litera…Medieval and Early Renaissance Medicine (1990)The Body Embarrassed (1993)The Scientific Revolution (1996)The Gutenberg Galaxy: The Making of Typographic Man (1963)Renaissance Self-Fashioning from More to Shakespeare (1981)Downcast Eyes (1993)The Foul and the Fragrant: Odor and the French Social Imagination (1988)Odors are expressible in language, as long as you speak the right language (2014)Senses of place: architectural design for the multisensory mind (2020)Review of the Potential of Consumer Neuroscience for Aroma Marketing and Its Importance in Various Segments of Services (2021)Scent in Motion: On the Multiple Uses of Ambient Scent in the Context of Passenger Transport (2021)From an Archaeology of Iconoclasm to an Anthropology of the Body (2008)The Sparham Corpse Panels: Unique Revelations of Death from Late Fifteenth-Century England (2010)Avoiding the Tyranny of Morphology; or, Why Compare? (2014)Juno versus Diana: The treatment of Elizabeth I's marriage in plays and entertainments, 1561–1581 (1995)A Jacobean Company and Its Playhouse: The Queen's Servants at the Red Bull Theatre (C.1605-1619) (2013)Othello’s Black Handkerchief (2013):Women and Race in Early Modern Texts (2004)Invoking Cleopatra to examine the shifting ground of leadership (2011)Shakespeare, Caravaggio, and the Indistinct Regard (2017)Shakespeare's Pacifism (1992)Manuscript transmission and circulation (2003)The Nice Valour’s Anatomy of Shame (2018)Ideas and applications of reform (2008)Latin and Greek Christians (2008)Performing the liturgy (2008)INTRODUCTION (2007)Appalling Bodies (2019)Queer Narrative Theory and the Relationality of Form (2021)‘I’ll Want My Will Else’: The Changeling and Women’s Complicity with their Rapists (2001)The Wrong Question: Thinking through Virginity (2002)Shakespeare's History Plays (2012)
this work references cited by second hop

References

  • 2000Getting Medieval: Sexualities and Communities, Pre- and Postmodern372 cited
  • 1996Power on Display: The Politics of Shakespeare’s Genres130 cited
  • 1994"Narcissus in thy Face": Roman Desire and the Difference it Fakes in Antony and Cleopatra73 cited
  • 2000Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches69 cited
  • 2004Mary Magdalene and the Drama of Saints58 cited
  • 1886The works of Thomas Middleton57 cited
  • 1910Documents Relating to the Office of the Revels in the Time of Queen Elizabeth52 cited

Cited by

  • 2021Scent in the Context of Live Performance21 cited
  • 2009Take Five: Renaissance Literature and the Study of the Senses11 cited
  • 2012The play of skin in The Changeling3 cited

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