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‘TO UNDERSTAND ULTIMATE THINGS AND ENTER SECRET PLACES’: EKPHRASIS AND ART IN BYZANTIUM
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  • 2002Statius'Silvaeand the Poetics of Empire284 cited
  • 2007Statius' Thebaid and the Poetics of Civil War185 cited
  • 2009Metal Maidens, Achilles' Shield, and Pandora: The Beginnings of "Ekphrasis"163 cited
  • 1996Image and ritual: reflections on the religious appreciation of classical art148 cited
  • 2015Ecphrasis73 cited
  • 2018Donor Portraits in Byzantine Art70 cited
  • 2003Color and Meaning in Byzantium46 cited
  • 2001“Taste and See”: The Eucharist and the Eyes of Faith in the Fourth Century44 cited
  • 2000"The Little Blue Flower Is Red": Relics and the Poetizing of the Body35 cited
  • 1996An Exemplary Humanist Hybrid: Vasari's "Fraude" with Reference to Bronzino's "Sphinx"33 cited
  • 2009Personal Grief and Public Mourning in Plutarch's Consolation to His Wife27 cited
  • 2005Cultivating True Sight at the Center of the World: Cyril of Jerusalem and the Lenten Catechumenate25 cited
  • 2012Shaping the sacred: light and the experience of worship in middle Byzantine churches23 cited
  • 2003Living Icons: Tracing a Motif in Verbal and Visual Representation from the Second to Fourth Centuries C.E.22 cited

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2004
“Mobile statuary”: Refractions of pantomime dancing from Callistratus to Emma Hamilton and Andrew Ducrow
18 cited
  • 2017Viewing the Unknown in Eighth-Century Constantinople16 cited