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Digital systems for live multimodal performance in Death and the Powers
4 references·2 citing·16 second hop
Digital systems for live multimodal performance in Death and the Powers (2012)Digital systems for live multimodal perfo…Disembodied performance : abstraction of representation in live theater (2009)Disembodied performance : abs…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Theatre and Performance in Digital Culture: From Simulation to Embeddedness (2006)Theatre and Performance in Di…The operatic scandal of the singing body: Voice, presence, performativity (2004)The operatic scandal of the s…The Cambridge Companion to Music in Digital Culture (2019)The Cambridge Companion to Mu…Rethinking Liveness in the Digital Age (2019)Rethinking Liveness in the Di…A circumplex model of affect. (1980)Affective Computing (1997)Metaphors We Live By (2003)Understanding Media: The Extensions of Man (1964)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Advances in Consumer Research (2025)Mapping Intermediality in Performance (2011)Screening from the Met, the NT, or the House: what changes with the live relay (2014)Shakespeare, Spectatorship and the Technologies of Performance (2020)The Mediatization of Society (2008)Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications (2010)Understanding Social Media Logic (2013)Do Voices Matter? Vocality, Materiality, Gender Performativity (2011)Anthropology and Voice (2014)Introduction: Voice Matters (2014)Music Transforming Conflict (2020)
this work references cited by second hop

References

  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2006Theatre and Performance in Digital Culture: From Simulation to Embeddedness108 cited
  • 2004The operatic scandal of the singing body: Voice, presence, performativity95 cited
  • 2009Disembodied performance : abstraction of representation in live theater7 cited

Cited by

  • 2019The Cambridge Companion to Music in Digital Culture37 cited
  • 2019Rethinking Liveness in the Digital Age36 cited

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