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Cited by

• 2012Vocal performance in the seventeenth century56 cited
• 2019The Cambridge History of Sixteenth-Century Music52 cited
• 2002Music theory and mathematics51 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2006Bach's temperament, Occam's razor, and the Neidhardt factor38 cited
• 1987Simon Stevin's equal division of the octave30 cited
• 2005Bach's extraordinary temperament: our Rosetta Stone--127 cited
• 2010The Analogy between Light and Sound in the History of Optics from the Ancient Greeks to Isaac Newton. Part 125 cited
• 2019Music in the Early Colonial World24 cited
• 2016Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2: Ancient to Seventeenth Century21 cited
• 1999Pianos and Continued Fractions21 cited
• 2023The evolution of human music in light of increased prosocial behavior: a new model20 cited
• 2005Convexity and the well-formedness of musical objects18 cited
• 1979Chinese Cyclic Tunings in Late Antiquity14 cited
• 1983Robert Hooke's Trinity College ‘Musick Scripts’, his music theory and the role of music in his cosmology