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Traditional Music in Ireland
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Traditional Music in Ireland (1980)Traditional Music in IrelandOireachtas na Gaeilge and Sean-Nós Song Competition, 1940–2012: Regionalism, Nationalism, and Gaelicness (2019)Oireachtas na Gaeilge and Sea…Folklore and/in Music (2012)Folklore and/in MusicInformal Learning in Music in the Irish Secondary School Context. (2009)Informal Learning in Music in…‘Good man, Mary!’ Women musicians and the fraternity of Irish traditional music (2008)‘Good man, Mary!’ Women music…Becoming Irish or Becoming Irish Music? Boundary Construction in Irish Music Communities (2001)Becoming Irish or Becoming Ir…The Origin of Style: The Famine and Irish Traditional Music (1997)The Origin of Style: The Fami…Oral and Literate Constructs of “Authentic” Irish Music (1995)Oral and Literate Constructs …The Teacher's Role in Transmission of Irish Traditional Music (1994)The Teacher's Role in Transmi…Toward a Definition of Folklore in Context (1971)Disjuncture and Difference in the Global Cultural Economy (1990)Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression (1990)“Blood-Thirsty Blues”: The Sonic Politics of American Murder Ballads (2020)The New Grove Dictionary of Music and Musicians (1981)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The Council for Research in Music Education (2014)Tradition Bearers as Educators: A Multi-Case Study of the Teaching Behaviors and Beliefs of Three Old-Time Musicians (2014)Transmission of Araquio Music, Songs, and Movement Conventions: Learning, Experience, and Meaning in Devotional Theatre (2017)Traditional Musics in the Modern World (2018)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Making up People in Papua (2001)How Adult Learners Learn Celtic Traditional Music: An Exploratory Case Study (2009)Ethnic Groups and Boundaries (2015)A Changing Focus: The Evolution of Irish Step Dancing Competitions in Australia (2019)Revival on the Other Side of the Country: Cantopop in Mainland China (2022)Gender trouble: feminism and the subversion of identity (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)The jazz-sport analogue: Passing notes on gender and sexuality (2010)Bodies That Matter (2011)‘Get back to where you once belonged!’ The positive creative impact of a refresher course for ‘baby-boomer’ rock musicians (2012)Lessons from the world: a cross-cultural guide to music teaching and learning (1991)Multicultural Perspectives in Music Education (2009)Music, informal learning and the school: a new classroom pedagogy (2009)Sonic Hospitality: Migration, Community, and Music (2012)Folk Music and Dances of Ireland (1981)Ethnomusicology and Modern Music History (1992)Ireland before the famine 1798-1848 (2007)The Invention of Tradition (1986)The Irish Literary Tradition (1992)A Companion to Aesthetics (1995)“It is new‐strung and shan't be heard”: Nationalism and memory in the Irish harp tradition (1999)Traditional Irish Music in the Twenty-first Century: Networks, Technology, and the Negotiation of Authenticity (2009)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)In Search of Authenticity: The Formation of Folklore Studies (1998)Music as social life: the politics of participation (2009)
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Cited by

  • 2012Folklore and/in Music11 cited
  • 1994The Teacher's Role in Transmission of Irish Traditional Music10 cited
  • 2008‘Good man, Mary!’ Women musicians and the fraternity of Irish traditional music9 cited
  • 2001Becoming Irish or Becoming Irish Music? Boundary Construction in Irish Music Communities8 cited
  • 1995Oral and Literate Constructs of “Authentic” Irish Music8 cited
  • 2009Informal Learning in Music in the Irish Secondary School Context.6 cited
  • 1997The Origin of Style: The Famine and Irish Traditional Music5 cited
  • 2019Oireachtas na Gaeilge and Sean-Nós Song Competition, 1940–2012: Regionalism, Nationalism, and Gaelicness3 cited

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