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Art Without A Market: Creating Artistic Value In A Provincial Art World
7 references·3 citing·34 second hop
Art Without A Market: Creating Artistic Value In A Provincial Art World (1977)Art Without A Market: Creating Artistic V…Art Photography in America (1975)Art Photography in AmericaArt As Collective Action (1974)Art As Collective ActionChicago's Art World: The Influence of Status Interests on Its Social and Distribution Systems (1972)Chicago's Art World: The Infl…The Sociology of Art and Literature. (1971)The Sociology of Art and Lite…New York Painting and Sculpture: 1940-1970 (1971)New York Painting and Sculptu…Identities and Interactions. (1967)Identities and Interactions.The philosophy of the present (1959)The philosophy of the presentPlace imprinting and the arts: A case study of the Amber Collective (2015)Place imprinting and the arts…FROM PRINTS TO POSTERS: THE PRODUCTION OF ARTISTIC VALUE IN A POPULAR ART WORLD (1987)FROM PRINTS TO POSTERS: THE P…It's on ‘sale!: an examination of vendor perspectives, activities, and dilemmas (1986)It's on ‘sale!: an examinatio…Art and the Aesthetic: An Institutional Analysis (1975)Culture and Art (1976)Art Galleries as Gate Keepers: The Case of the Abstract Expressionists (1978)Emotion and Meaning in Music (1961)The Structure of Scientific Revolutions (1963)Hedonic Consumption: Emerging Concepts, Methods and Propositions (1982)The field of cultural production, or: The economic world reversed (1983)The Production of Culture Perspective (2004)Art and Illusion (2017)Art Styles as Cultural Cognitive Maps1 (1961)Art Worlds and Social Types (1976)A life in photography (1963)From Folk Art To Fine Art (1974)“Substream” recordings: Some shifts in stature and alterations in song (1978)The rules of a middle-brow art: Digital production and cultural consecration in the global field of professional photojournalism (2016)The Sociology of Georg Simmel (1950)Social Behavior as Exchange (1958)The strategy of the retail ‘sale’: typology, review and synthesis (1995)Consumer behaviour and the retail “sales” (1996)Antecedents of Spontaneous Buying Behaviour During Temporary Markdowns (1998)Presentation of Self in Everyday Life, the (2008)The Strength of Weak Ties: A Network Theory Revisited (1983)The Information Age: Economy, Society and Culture (1999)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Frame Alignment Processes, Micromobilization, and Movement Participation (1986)What Is Agency? (1998)The Power of Constructivist Grounded Theory for Critical Inquiry (2016)The Importance of Authenticity for Self and Society (1995)The Rise of the Environmental Justice Paradigm (2000)Culture in Interaction (2003)Organizational account of symbolic boundaries in urban cultures: social network analysis of New York art world from 1940 to 1969 (2022)Schools of Activity and Innovation (1988)The Construction of Learning and Teaching in a Sculpture Studio Class (1996)Les artistes en quantités. Ce que sociologues et économistes s'apprennent sur le travail et les professions artistiques (2010)
this work references cited by second hop

References

  • 1959The philosophy of the present907 cited
  • 1967Identities and Interactions.759 cited
  • 1974Art As Collective Action622 cited
  • 1971The Sociology of Art and Literature.56 cited
  • 1971New York Painting and Sculpture: 1940-197019 cited
  • 1972Chicago's Art World: The Influence of Status Interests on Its Social and Distribution Systems15 cited
  • 1975Art Photography in America8 cited

Cited by

  • 1986It's on ‘sale!: an examination of vendor perspectives, activities, and dilemmas22 cited
  • 2015Place imprinting and the arts: A case study of the Amber Collective9 cited
  • 1987FROM PRINTS TO POSTERS: THE PRODUCTION OF ARTISTIC VALUE IN A POPULAR ART WORLD6 cited

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