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Speaking in Tongues: Metapictures and the Discourse of Violence in Caribbean Art
16 references·0 citing·30 second hop
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References

  • 2023Black Skin, White Masks6,308 cited
  • 1997Poetics of Relation3,547 cited
  • 2020Rabelais and his world3,421 cited
  • 1998Scenes of subjection: terror, slavery, and self-making in nineteenth-century America1,350 cited
  • 1980From Dessalines to Duvalier: Race, Colour and National Independence in Haiti240 cited
  • 1996Sacred Arts of Haitian Vodou229 cited
  • 1983First-Time: The Historical Vision of an African American People222 cited
  • 2002Masking and Power: Carnival and Popular Culture in the Caribbean179 cited
  • 2002Rara!: vodou, power, and performance in Haiti and its diaspora142 cited
  • 2009Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity101 cited
  • 1973The Trinidad Carnival. Mandate for a National Theatre94 cited
  • 2011Out and Bad: Toward a Queer Performance Hermeneutic in Jamaican Dancehall91 cited
  • 1989Haiti: the Duvaliers and their legacy66 cited
  • 2001Beth Fowkes Tobin. Picturing Imperial Power: Colonial Subjects in Eighteenth-Century British Painting. Durham: Duke University Press. 1999. Pp. xiv, 306. $18.95 paper. ISBN 0-8223-2338-9.59 cited
  • 2005Transgressive Transcendence in the Photographs of Rotimi Fani-Kayode

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46 cited
  • 1991Voodoo and Politics in Haiti44 cited
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