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Reading the Figural, or, Philosophy after the New Media
0 references·16 citing·48 second hop
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  • 2005The New Economy, Property and Personhood169 cited
  • 2004Stylizing the Self: The Y Generation in Rosebank, Johannesburg151 cited
  • 2004Mapping Visual Studies in Communication89 cited
  • 2011From Grain to Pixel88 cited
  • 2010Intermediality in Film: A Historiography of Methodologies42 cited
  • 20074 Protocols and the Irreducible Traces of Embodiment: The Viterbi Algorithm and the Mosaic of Machine Time39 cited
  • 2010The Visceral Politics of V for Vendetta : On Political Affect in Cinema33 cited
  • 2012The Hands of the Animator: Rotoscopic Projection, Condensation, and Repetition Automatism in the Fleischer Apparatus27 cited
  • 2003A Pedagogy to Expose and Critique Gendered Cultural Stereotypes Embedded in Art Interpretations25 cited
  • 2011Movie advertisements and the formation of a new visual environment in interwar Japan25 cited
  • 2017Synesthesia, transformation and synthesis: toward a multi-sensory pedagogy of the image23 cited
  • 2006Contemporary Media and the Evolving Notion of Immediacy22 cited
  • 2003Processual Media Theory22 cited
  • 2003“The Dream of the Gesture”: The Body of/in Todd Haynes's Films21 cited

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2006
Java™: the practical virtuality of internet programming
21 cited
  • 2017Intercultural Film: Fiction Film as Audio-Visual Documents of Interculturality14 cited