Picturing Japaneseness: Monumental Style, National Identity, Japanese Film

Brian E. Lewis · Darrell William Davis

52 citations0/0 files storedMonumenta Nipponica

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Japanese History and Culture Cinema History and Criticism National Identity and Symbolism

Abstract

Explores the role of 1930s Japanese cinema in the construction of a national identity and in the larger context of Japan's encounter-and struggle-with the West and modernity. Davis lends a new perspective to such celebrated films as Gate of Hell, Kagemusha, and Ran.

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2001Reigniting Japanese Tradition with Hana-Bi 2003The Manchurian Crisis and Japanese Society, 1931-33 2012The Palimpsest Body and the S(h)ifting Border: On Maggie Cheung's Two Crossover Films 2015Contemporary Japanese Cinema Since Hana-Bi 2010Conceptualizing Anime And The Database Fantasyscape

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