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Shooting the Sunburnt Country, the Land of Sweeping Plains, the Rugged Mountain Ranges: Australian Landscape and Wilderness Photography
9 references·2 citing·22 second hop
Shooting the Sunburnt Country, the Land of Sweeping Plains, the Rugged Mountain Ranges: Australian Landscape and Wilderness Photography (2007)Shooting the Sunburnt Country, the Land o…Each Wild Idea (2001)Each Wild IdeaPicturing Empire: Photography and the Visualization of the British Empire (1999)Picturing Empire: Photography…Carleton Watkins: The Art of Perception (1999)Carleton Watkins: The Art of …Australian First –World – War photography Frank Hurley and Charles Bean (1999)Australian First –World – War…Picturing empire: photography and the visualization of the British Empire (1998)Picturing empire: photography…Postmodern Wetlands: Culture, History, Ecology (1996)Postmodern Wetlands: Culture,…Landscape as photograph (1985)Landscape as photographCarleton E. Watkins: Photographer of the American West (1983)Carleton E. Watkins: Photogra…American Frontiers: The Photographs of Timothy H. O'Sullivan, 1867-1874 (1981)American Frontiers: The Photo…The Wilderness Diary (2020)The Wilderness DiaryWilderness to wasteland in the photography of the American west (2009)Wilderness to wasteland in th…The Contest of Meaning: Critical Histories of Photography (1992)Landscape and memory (1995)Ecocriticism (2004)Family photographs and domestic spacings: a case study (2003)Memory and place: geographies of a critical relationship (2004)Geopolitics and visuality: Sighting the Darfur conflict (2007)‘Where are the dead?’ Spiritualism, photography and the Great War (2004)Spotting the fake: C. E. W. Bean, Frank Hurley and the making of the 1923photographic record of the war (2007)Movement-space: The changing domain of thinking resulting from the development of new kinds of spatial awareness (2004)The remediation of the personal photograph and the politics of self-representation in digital storytelling (2013)Selfiecity: Exploring Photography and Self-Fashioning in Social Media (2015)On the Need to Ask How, Exactly, Is Geography “Visual”? (2003)Image vs. reality in Korean‐Americans’ responses to mass‐mediated depictions of the United States (1991)Romancing the Road: Road Movies and Images of Mobility (1995)Landscapes of Tourism: A Cultural Geographic Perspective (2000)Krauss's Foucault and the foundations of postmodern history of photography (2006)Fototopografia: The “Futures Past” of Surveying (2011)A Fish Story: Rethinking Globalization on Virgin Gorda, British Virgin Islands (2000)Common Senses (2005)Climate and Culture: Anthropology in the Era of Contemporary Climate Change (2010)Alfred Hart: Photographer of the Central Pacific railroad (1988)Everyday Photography? Politicizing a ‘vernacular’ photo album of the San Francisco Earthquake and Fire of 1906 (2020)
this work references cited by second hop

References

  • 1998Picturing empire: photography and the visualization of the British Empire406 cited
  • 1999Picturing Empire: Photography and the Visualization of the British Empire283 cited
  • 1996Postmodern Wetlands: Culture, History, Ecology151 cited
  • 2001Each Wild Idea105 cited
  • 1999Australian First –World – War photography Frank Hurley and Charles Bean51 cited
  • 1985Landscape as photograph31 cited
  • 1981American Frontiers: The Photographs of Timothy H. O'Sullivan, 1867-187420 cited
  • 1983Carleton E. Watkins: Photographer of the American West13 cited
  • 1999Carleton Watkins: The Art of Perception7 cited

Cited by

  • 2009Wilderness to wasteland in the photography of the American west4 cited
  • 2020The Wilderness Diary3 cited

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