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Perspectives in popular musicology: music, Lennox, and meaning in 1990s pop
16 references·5 citing·29 second hop
Perspectives in popular musicology: music, Lennox, and meaning in 1990s pop (1996)Perspectives in popular musicology: music…The Lesbian and Gay Studies Reader (2012)The Lesbian and Gay Studies R…Postmodern Theory. Critical Interrogations (1996)Postmodern Theory. Critical I…Gender and the Musical Canon (1994)Gender and the Musical CanonGender and the Musical Canon (1994)Gender and the Musical CanonRunning with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Studying Popular Music (1991)Studying Popular MusicPostmodern Theory (1991)Postmodern TheoryStudying Popular Music (1990)Studying Popular MusicFeminine Sentences: Essays on Women and Culture (1990)Feminine Sentences: Essays on…Women and Music in Cross-Cultural Perspective (1989)Women and Music in Cross-Cult…Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Rocking Around the Clock: Mus…Art into Pop (1987)Art into PopAnalysing popular music: theory, method and practice (1982)Analysing popular music: theo…Popular music in the educational space of Polish preschools – the teacher’s perspective (2018)Popular music in the educatio…More than meets the eye: videography and production of desire in semiocapitalism (2017)More than meets the eye: vide…Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings (2013)Narrative, vocal staging and …Rock Journalists and Music Critics: A Selected Bibliography (2010)Rock Journalists and Music Cr…Form and Style in the Music of U2 (2008)Form and Style in the Music o…Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Tuning of the World (1983)Music and Language (1994)Triadic Modal and Pentatonic Patterns in Rock Music (2010)A corpus analysis of rock harmony (2011)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Postmodernism and Organizational Research (1997)Real-izing information systems: critical realism as an underpinning philosophy for information systems (2004)Gramsci is Dead: Anarchist Currents in the Newest Social Movements (2009)The Mediatization of Society (2008)Ethnography and popular music studies (1993)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Class, Control, and Classical Music (2019)Handbook of Emotions (1993)Fences and neighbours in the postmodern world: boundary narratives in political geography (1998)Chapter 3 : Identity as an Analytic Lens for Research in Education (2000)Coloniality of Power, Eurocentrism, and Latin America (2008)Performing the (Sound)World (2000)Psychology for Musicians (2007)What Is Sociological about Music? (2010)GLOBAL IDENTITIES (2001)Orientations (2006)Queer Intersections: Sexuality and Gender in Migration Studies (2006)
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References

  • 2012The Lesbian and Gay Studies Reader2,481 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1996Postmodern Theory. Critical Interrogations911 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 1991Postmodern Theory818 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality649 cited
  • 1990Studying Popular Music606 cited
  • 1991Studying Popular Music550 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 1982Analysing popular music: theory, method and practice376 cited
  • 1987Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture353 cited
  • 1990Feminine Sentences: Essays on Women and Culture237 cited
  • 1994Gender and the Musical Canon225 cited
  • 1989Women and Music in Cross-Cultural Perspective203 cited
  • 1994Gender and the Musical Canon197 cited
  • 1987Art into Pop164 cited

Cited by

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2017
More than meets the eye: videography and production of desire in semiocapitalism
25 cited
  • 2018Popular music in the educational space of Polish preschools – the teacher’s perspective10 cited
  • 2008Form and Style in the Music of U25 cited
  • 2013Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings5 cited
  • 2010Rock Journalists and Music Critics: A Selected Bibliography4 cited