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HERAS: A helium jet to prevent damage on works of art in Raman experiments
16 references·0 citing·35 second hop
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innovative surface‐enhance…Non-destructive analysis and testing of museum objects: An overview of 5 years of research (2005)Non-destructive analysis and …Application of surface-enhanced Raman scattering (SERS) for the identification of anthraquinone dyes used in works of art (2005)Application of surface-enhanc…Vibrational spectroscopic study of brazilin and brazilein, the main constituents of brazilwood from Brazil (2002)Vibrational spectroscopic stu…The merits of particle induced X-ray emission in revealing painting techniques (2002)The merits of particle induce…The beautiful “Trionfo d’Amore” attributed to Botticelli: a chemical characterisation by proton-induced X-ray emission and micro-Raman spectroscopy (2001)The beautiful “Trionfo d’Amor…Laser-induced degradation of lead pigments with reference to Botticelli’s Trionfo d’Amore (2001)Laser-induced degradation of …X-ray fluorescence spectrometry in art and archaeology (2000)X-ray fluorescence spectromet…Pigment identification on 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methods for determination of anthraquinone dyes in historical textiles: A review (2019)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)The materials and techniques of medieval painting (1956)Indigo, woad, and Tyrian Purple: important vat dyes from antiquity to the present (1993)Cross-Sections and Chemical Analysis of Paint Samples (1956)Recent Advances in Conservation (1967)The Artist's Handbook of Materials and Techniques (1983)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)The application of LIBS for the analysis of 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References

  • 2000X-ray fluorescence spectrometry in art and archaeology267 cited
  • 2006Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art244 cited
  • 2006An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs171 cited
  • 1992Non-destructive pigment analysis of artefacts by Raman microscopy165 cited
  • 2007Comparative study of mobile Raman instrumentation for art analysis153 cited
  • 2005Non-destructive analysis and testing of museum objects: An overview of 5 years of research138 cited
  • 2007Surface‐enhanced Raman scattering for identification of organic pigments and dyes in works of art and cultural heritage material112 cited
  • 2005Application of surface-enhanced Raman scattering (SERS) for the identification of anthraquinone dyes used in works of art99 cited
  • 2002Vibrational spectroscopic study of brazilin and brazilein, the main constituents of brazilwood from Brazil99 cited
  • 1995Pigment identification on medieval manuscripts by Raman microscopy71 cited
  • 2001The beautiful “Trionfo d’Amore” attributed to Botticelli: a chemical characterisation by proton-induced X-ray emission and micro-Raman spectroscopy62 cited
  • 2001Laser-induced degradation of lead pigments with reference to Botticelli’s Trionfo d’Amore50 cited
  • 1993The external PIXE setup for the analysis of manuscripts at the Florence University

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50 cited
  • 2007Raman spectroscopic analysis of Mexican natural artists’ materials47 cited
  • 2002The merits of particle induced X-ray emission in revealing painting techniques43 cited
  • 2007Micro‐Raman and stratigraphic studies of the paintings on the ‘Cembalo’ model musical instrument ( A.D . 1650) and laser‐induced degradation of the detected pigments41 cited
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