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Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor of Jazz"
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Cited by

  • 2011New Orleans Music as a Circulatory System64 cited
  • 1992Slave Spectacles and Tragic Octoroons: A Cultural Genealogy of Antebellum Performance44 cited
  • 1994Behind the Lines: The Black Mardi Gras Indians and the New Orleans Second Line44 cited
  • 1992"Play That Barber Shop Chord": A Case for the African-American Origin of Barbershop Harmony38 cited
  • 2006O brother, let's go down home: loss, nostalgia and the blues29 cited
  • 1998African American music to 190025 cited
  • 2007White Face, Black Voice: Race, Gender, and Region in the Music of the Boswell Sisters24 cited
  • 2002"Shoot Myself a Cop": Mamie Smith's "Crazy Blues" as Social Text22 cited
  • 2016The ‘Caruso of Jazz’ and a ‘Creole Benvenuto Cellini’ Verdi, ‘Miserere … Ah, che la morte ognora’ (Leonora, Manrico), Il trovatore, Act IV18 cited
  • 1998Ragtime and early jazz17 cited
  • 1998Avant-garde and experimental music11 cited
  • 2002The Influences of Hispanic Music Cultures on African-American Blues Musicians10 cited
  • 2007Migration, Ethnicity, and Interactions between the United States and Hispanic Caribbean Popular Culture10 cited
  • 1998Nineteenth-century popular music9 cited

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  • 2013Postvocalic /r/ in New Orleans: Language, place, and commodification9 cited
  • 2021Listening to the Lomax Archive7 cited