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Salieri's Così fan tutte
4 references·3 citing·22 second hop
Salieri's Così fan tutte (1996)Salieri's Così fan tutteVINCENT NOVELLO'S AUTOGRAPH ALBUM: INVENTORY AND COMMENTARY (1994)VINCENT NOVELLO'S AUTOGRAPH A…Mozart's Fee for Così fan tutte (1991)Mozart's Fee for Così fan tut…The Classical Style (1977)The Classical StyleA Mozart Pilgrimage: Being the Travel Diaries of Vincent and Mary Novello in the Year 1829 (1955)A Mozart Pilgrimage: Being th…Recognition in Mozart's Operas (2006)Recognition in Mozart's OperasThree Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte (2004)Three Modes of Perception in …The comic mode (2004)The comic modeMozart in the Market-Place (1989)Three Modes of Perception in Mozart (2004)Mozart and Freemasonry (2018)Anatomy of Criticism (1957)Anatomy of Criticism: Four Essays (1959)Sincerity and Authenticity (1972)European Literature and the Latin Middle Ages (1956)The dramaturgy of opera (2012)Betting Against Themselves: Conflicting Conceptions of Love in Così fan tutte, o: la scola degli amanti (2015)Galant Recitative Schemas (2015)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Mimesis: The Representation of Reality in Western Literature (1954)Reading for the plot : design and intention in narrative (1984)Opera and gender studies (2012)Mendelssohn and the Organ (2010)Archivists and Collecting (2017)Chopin's Album Leaves and the Aesthetics of Musical Album Inscription (2020)Schumann's "Im Legendenton" and Friedrich Schlegel's "Arabeske" (1987)Politics, Feminism, and Contemporary Music Theory (1991)Timing and Music (2002)Amico (2009)The Beethoven Syndrome (2020)
this work references cited by second hop

References

  • 1977The Classical Style147 cited
  • 1955A Mozart Pilgrimage: Being the Travel Diaries of Vincent and Mary Novello in the Year 1829112 cited
  • 1991Mozart's Fee for Così fan tutte55 cited
  • 1994VINCENT NOVELLO'S AUTOGRAPH ALBUM: INVENTORY AND COMMENTARY31 cited

Cited by

  • 2006Recognition in Mozart's Operas12 cited
  • 2004Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte7 cited
  • 2004The comic mode6 cited

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