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Cited by

• 2013Othello’s Black Handkerchief98 cited
• 2015“Sing it Like Poor Barbary”: Othello and Early Modern Women’s Performance89 cited
• 2011Insubstantial pageants: Women's work and the (im)material culture of the early modern stage56 cited
• 2022The Oxford Handbook of Early Modern Women's Writing in English, 1540-170023 cited
• 2021Fictions of Credit in the Age of Shakespeare20 cited
• 2023Shakespeare Beyond the Green World17 cited
• 2022Untimely Developments14 cited
• 2018Gendered Temporalities in the Early Modern World12 cited
• 2015Renaissance Women’s Performance and the Dramatic Canon: Theater History, Evidence, and Narratives10 cited
• 2022Receiving Early Modern Women’s Drama9 cited
• 2022Early Modern Women, Race, and Writing Revisited9 cited
• 2017The Dynamics of Inheritance on the Shakespearean Stage7 cited
• 2022Lyric Backwardness6 cited
• 2015Service and Servants in Early Modern English Culture to 16605 cited
• 2015The “Play-Boy,” the Female Performer, and the Art of Portraying a Lady5 cited