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Sample and hold: pop music in the digital age of reproduction
0 references·16 citing·55 second hopsampled
Sample and hold: pop music in the digital age of reproduction (1988)Sample and hold: pop music in the digital…Music, Mediation Theories and Actor-Network Theory (2018)Music, Mediation Theories and…Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Sound Souvenirs : Audio Techn…Mandopop under siege: culturally bound criticisms of Taiwan’s pop music (2009)Mandopop under siege: cultura…The Apolitical Irony of Generation Mash‐Up: A Cultural Case Study in Popular Music (2008)The Apolitical Irony of Gener…Popular music analysis: ten apothegms and four instances (2003)Popular music analysis: ten a…Marxist music analysis without Adorno: popular music and urban geography (2003)Marxist music analysis withou…From lyric to anti-lyric: analyzing the words in pop song (2003)From lyric to anti-lyric: ana…Bourdieu, Technique And Technology (2003)Bourdieu, Technique And Techn…Australian Hip Hop as a Subculture (2003)Australian Hip Hop as a Subcu…Analyzing Popular Music (2003)Analyzing Popular Music"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music (2003)"Should One Applaud?" Breache…At the Crossroads: Rap Music and Its African Nexus (1996)At the Crossroads: Rap Music …The future of rock: discourses that struggle to define a genre (1995)The future of rock: discourse…Collective Bodies: Raving and the Politics of Gilles Deleuze and Felix Guattari (1995)Collective Bodies: Raving and…Critical pedagogy and predatory culture (1994)Critical pedagogy and predato…Popular music and postmodern theory (1991)Popular music and postmodern …Anti-Oedipus: Capitalism and Schizophrenia. (1978)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Difference and repetition (1994)The Problem of the Body in Deleuze and Guattari, Or, What Can a Body Do? (1997)The Sexuality-Assemblage: Desire, Affect, Anti-Humanism (2013)Emotions, affects and the production of social life (2015)Studies in Ethnomethodology. (1968)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Music in Everyday Life (2000)The Elusive Allure of “Aura”: Sample-based Music and Benjamin’s Practice of Quotation (2011)Kick It (2020)Empty Minds: Innovating Audience Participation in Symphonic Practice (2021)The Logic of Practice (1990)An Invitation to Reflexive Sociology. (1993)Editorial (2009)Women, Work and Technology: Examining the Under-Representation of Women in ICT (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)German Teachers’ Digital Habitus and Their Pandemic Pedagogy (2020)Marxism and Literature (1977)Subculture: The Meaning of Style. (1981)Media Remembering: the Contributions of Life-Story Methodology to Memory/Media Research (2011)How do people really listen to music today? Conventionalities and major turnovers in German audio repertoires (2015)Passion and nostalgia in generational media experiences (2015)Capital: A Critique of Political Economy (2020)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music (2009)The Location of Culture (2012)Noise in G uangzhou: the cultural politics of underground popular music in contemporary G uangzhou (2014)The Interpretation of Cultures (2017)Writing about Popular Music (2019)The Postmodern Condition: A Report on Knowledge (1984)After the Great Divide (1986)The Ideology of the Aesthetic (1988)Love is all around: a corpus-based study of pop lyrics (2012)Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast's "Mainstream" (1996) (2017)Flow (2019)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The consequences of modernity (1990)Situated Learning: Legitimate Peripheral Participation. (1994)Power, Meaning and Identity: critical sociology of education in the United States (1996)Inequality in Higher Education: a study of class barriers (1998)Revisiting Validation Theory: Theoretical Foundations, Applications, and Extensions (2011)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Rap as literacy: A genre analysis of Hip-Hop ciphers (2005)GLOBAL BLACK SELF-FASHIONINGS: HIP HOP AS DIASPORIC SPACE (2008)Racial Authenticity in Rap Music and Hip Hop (2008)Scale and Scope (1990)Postmodernism, or, The cultural logic of late capitalism (1991)Populism in musical mash ups: recontextualising Brexit (2021)The Ballad-Singer in Georgian and Victorian London (2021)A prescribed alternative mainstream: popular music and canon formation (2006)Mapping the linguistic landscape of a commercial neighbourhood in Central Phnom Penh (2012)The Labors of Michael Jackson: Virtuosity, Deindustrialization, and Dancing Work (2012)
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  • 1995Collective Bodies: Raving and the Politics of Gilles Deleuze and Felix Guattari75 cited
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  • 2018Music, Mediation Theories and Actor-Network Theory48 cited
  • 2003Marxist music analysis without Adorno: popular music and urban geography47 cited
  • 1995The future of rock: discourses that struggle to define a genre45 cited
  • 2003Australian Hip Hop as a Subculture

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44 cited
  • 1991Popular music and postmodern theory41 cited