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What Is and What Aint:Topdog/Underdogand the American Hustle
14 references·0 citing·24 second hop
What Is and What Aint:Topdog/Underdogand the American Hustle (2013)What Is and What Aint:Topdog/Underdogand …The African American Theatrical Body: Reception, Performance, and the Stage (2011)The African American Theatric…The African American Theatrical Body (2011)The African American Theatric…Suzan-Lori Parks (2008)Suzan-Lori ParksSuzan-Lori Parks (2008)Suzan-Lori ParksContemporary African American women playwrights: a casebook (2008)Contemporary African American…The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog (2007)The Money Shot: Economies of …Suzan-Lori Parks: A Casebook (2007)Suzan-Lori Parks: A CasebookReading contemporary African American drama : fragments of history, fragments of self (2007)Reading contemporary African …Making It "Real": Money and Mimesis in Suzan-Lori Parks's Topdog/Underdog (2007)Making It "Real": Money and M…Contemporary African American Women Playwrights (2007)Contemporary African American…Women writing plays : three decades of the Susan Smith Blackburn Prize (2006)Women writing plays : three d…Restaging the Nation: The Work of Suzan-Lori Parks (2000)Restaging the Nation: The Wor…An Interview with Suzan-Lori Parks (1996)An Interview with Suzan-Lori …The America Play and Other Works (1995)The America Play and Other Wo…Postmodernism, or, The cultural logic of late capitalism (1991)The Work of Art in the Age of Mechanical Reproduction (2007)Nation and Narration (2013)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)How To Do Things With Words (1975)The Location of Culture (2012)Korean Trojan Women: Performing Wartime Sexual Violence (2016)“A” is for Abject: The Red Letter Plays of Suzan-Lori Parks (2012)Performance and the Pace of Empathy (2012)Home on the Stage: Domestic Spaces in Modern Drama (2014)Drama in the Harlem Renaissance (2012)Fragmented musicals and 1970s soul aesthetic (2012)The Negro Little Theatre Movement (2012)Suzan-Lori Parks's Drama of Disinterment: A Transnational Exploration of Venus (2008)Omnipresent Negation: Hottentot Venus and Africa Rising (2009)Performing Epic or Telling Tales (2020)DIASPORIC SPIDERING: (2014)HIP-HOP HABITUS v.2.0 (2014)The Cambridge Companion to American Civil Rights Literature (2015)James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie (2012)The Theater of Hustle and the Hustle of Theater: Play, Player, and Played in Suzan-Lori Parks's Topdog/Underdog (2012)(Re)membering Sara Baartman, Venus, and Aphrodite (2019)Performing America cultural nationalism in American theater"Unkind Division": The Double Absence of Performing History in 1 Henry VI (2004)
this work references cited by second hop

References

  • 1995The America Play and Other Works88 cited
  • 2007Contemporary African American Women Playwrights66 cited
  • 2011The African American Theatrical Body61 cited
  • 2007Reading contemporary African American drama : fragments of history, fragments of self43 cited
  • 1996An Interview with Suzan-Lori Parks37 cited
  • 2011The African American Theatrical Body: Reception, Performance, and the Stage22 cited
  • 2008Suzan-Lori Parks17 cited
  • 2007Suzan-Lori Parks: A Casebook15 cited
  • 2008Suzan-Lori Parks13 cited
  • 2000Restaging the Nation: The Work of Suzan-Lori Parks12 cited
  • 2006Women writing plays : three decades of the Susan Smith Blackburn Prize9 cited
  • 2007Making It "Real": Money and Mimesis in Suzan-Lori Parks's Topdog/Underdog8 cited
  • 2007The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog7 cited
  • 2008Contemporary African American women playwrights: a casebook6 cited

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