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Tattoo stories:A postscript toskins
13 references·6 citing·31 second hop
Tattoo stories:A postscript toskins (2000)Tattoo stories:A postscript toskinsWhen the Moon Waxes Red: Representation, Gender and Cultural Politics (2014)When the Moon Waxes Red: Repr…Text and Performance Quarterly (2010)Text and Performance QuarterlyWomen, autobiography, theory: a reader (1999)Women, autobiography, theory:…Women, Autobiography, Theory: A Reader (1999)Women, Autobiography, Theory:…Personal narrative, performance, performativity: Two or three things I know for sure (1999)Personal narrative, performan…Performing theory/embodied writing (1999)Performing theory/embodied wr…The Vulnerable Observer: Anthropology that Breaks Your Heart (1998)The Vulnerable Observer: Anth…The Future of Performance Studies: Visions and Revisions (1998)The Future of Performance Stu…Choreographing difference: the body and identity in contemporary dance (1998)Choreographing difference: th…The vulnerable observer: anthropology that breaks your heart (1997)The vulnerable observer: anth…Performativity, Autobiographical Practice, Resistance (1995)Performativity, Autobiographi…Woman, Native, Other: Writing Postcoloniality and Feminism (1990)Woman, Native, Other: Writing…Between Theater and Anthropology (1985)Between Theater and Anthropol…Performance studies in communication (2020)Performance studies in commun…Investigation into the production of meaning in autobiographical performance in dramatherapy (2020)Investigation into the produc…Ethnodrama and Ethnotheatre (2017)Ethnodrama and EthnotheatreRoses and Grime (2014)Roses and GrimePerforming Gender and Interpersonal Communication Research (2006)Performing Gender and Interpe…ShitText: Toward a New Coprophilic Style (2005)ShitText: Toward a New Coprop…Gender Trouble: Feminism and the Subversion of Identity (1991)Imagined communities: Reflections on the origin and spread of nationalism (1995)Early Chinese American Autobiography: Reconsidering the Works of Yan Phou Lee and Yung Wing (2003)Reconsidering Rap's “I”: Eminem's Autobiographical Postures and the Construction of Identity Authenticity (2008)Self-Regarding Art (2008)Feminists Theorize the Political (2013)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)The Wounded Storyteller (1995)Narrative Analysis: Oral Versions of Personal Experience1 (1997)Remembering and Forgetting: Narrative as Cultural Memory (2002)“It Gets Better”: Internet memes and the construction of collective identity (2015)Performing Autoethnography: An Embodied Methodological Praxis (2001)The reflexive interview and a performative social science (2001)Confession, catharsis, or cure? Rethinking the uses of reflexivity as methodological power in qualitative research (2003)Feminism and Cultural Memory: An Introduction (2002)New faces in new places: the changing geography of American immigration (2009)Formal Dining at Cambridge Colleges: Linking Ritual Performance and Institutional Maintenance (2010)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)The Post-Colonial Studies Reader (1996)Intersectionality as buzzword (2008)Afterwords (2000)Dancing Postcolonialism (2007)Situational Analyses: Grounded Theory Mapping After the Postmodern Turn (2003)Doing sensitive research: what challenges do qualitative researchers face? (2007)Autobiographical Understanding and Narrative Inquiry (2007)Autotheory as Feminist Practice in Art, Writing, and Criticism (2021)Creative Teaching: Collaborative Discussion as Disciplined Improvisation (2004)Critical Qualitative Inquiry (2016)Self-Care and the Qualitative Researcher: When Collecting Data Can Break Your Heart (2005)Working Within Hyphen-Spaces in Ethnographic Research (2013)On auto-ethnography (2014)
this work references cited by second hop

References

  • 1997The vulnerable observer: anthropology that breaks your heart1,877 cited
  • 1990Woman, Native, Other: Writing Postcoloniality and Feminism1,823 cited
  • 1985Between Theater and Anthropology1,727 cited
  • 2014When the Moon Waxes Red: Representation, Gender and Cultural Politics803 cited
  • 1998The Vulnerable Observer: Anthropology that Breaks Your Heart665 cited
  • 1999Women, Autobiography, Theory: A Reader348 cited
  • 1998Choreographing difference: the body and identity in contemporary dance331 cited
  • 1998The Future of Performance Studies: Visions and Revisions243 cited
  • 1999Personal narrative, performance, performativity: Two or three things I know for sure239 cited
  • 1995Performativity, Autobiographical Practice, Resistance203 cited
  • 1999Women, autobiography, theory: a reader176 cited
  • 1999Performing theory/embodied writing138 cited
  • 2010Text and Performance Quarterly128 cited

Cited by

  • 2020Performance studies in communication23 cited
  • 2005ShitText: Toward a New Coprophilic Style20 cited
  • 2006Performing Gender and Interpersonal Communication Research

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19 cited
  • 2017Ethnodrama and Ethnotheatre6 cited
  • 2020Investigation into the production of meaning in autobiographical performance in dramatherapy2 cited
  • 2014Roses and Grime1 cited