Abstract Ratu Kidul is a legendary spirit queen who plays a significant role in Javanese political ontologies and has come to be an icon of Indonesian public culture. In this paper, I trace the history of her mediationas imagevia paint, photography, television, film, and the Internet in order to ask how this queen of the unseen world came to be so visible a feature of the postcolonial landscape and to interrogate the nature and effects of this visibility. I argue that becoming accessible via the image was necessary to her continued political agency within a mass-mediated national public sphere in which visibility and circulation are preconditions of political recognition. Yet popular reception of images of Ratu Kidul as auratic conduits of her spiritual power reveal the continued presence of a visuality within Indonesian national modernity that runs counter to dominant logics of transparency. I offer an ethnographic examination of images of Ratu Kidul across a range of media, attending to their material qualities as mediums by which the spirit queen appears and circulates. Broadly, the essay argues that national political orders and their public spheres cannot be understood apart from a history of visual mediation.
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