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Galeazzo Maria Sforza and musical patronage in Milan: Compère, Weerbeke and Josquin
16 references·1 citing·33 second hop
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this work references cited by second hop

References

  • 1979Alone of All Her Sex: The Myth and the Cult of the Virgin Mary449 cited
  • 1977Alone of All Her Sex: The Myth and the Cult of the Virgin Mary384 cited
  • 1950Source Readings in Music History307 cited
  • 1986Music in Late Medieval Bruges159 cited
  • 1975Dufay at Cambrai: Discoveries and Revisions115 cited
  • 1965The Chanson Albums of Marguerite of Austria92 cited
  • 1994A Renaissance Court86 cited
  • 1987Music at the Aragonese Court of Naples84 cited
  • 1991Vestiges of the Isorhythmic Tradition in Mass and Motet, ca. 1450-147578 cited
  • 1982Music in Medieval and Early Modern Europe: Patronage, Sources, and Texts72 cited
  • 1994Born For The Muses57 cited
  • 1997Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris47 cited
  • 1961The Singers of San Giovanni in Florence during the 15th Century32 cited
  • 1995Born for the muses: the life and masses of Jacob Obrecht23 cited
  • 1988"Illibata Dei Virgo Nutrix" and Josquin's Roman Style18 cited
  • 1986The "Motetti Missales" Repertory Reconsidered12 cited

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Cited by

  • 2019Composing Community in Late Medieval Music3 cited