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This article situates Desperate Housewives in a broader sociocultural context by examining its treatment of gender and genre. It is argued that the audience's knowledge of the generic conventions and gender stereotypes upon which the show draws allows them access to Desperate Housewives's interrogation of contemporary social convention.
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Stored only when both papers are in the corpus — 12 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.