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“Sort of in your blood”: Inherent musicality survives cultural judgement
16 references·3 citing·34 second hop
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References

  • 1996Qualitative Interviewing: The Art of Hearing Data11,180 cited
  • 1960Truth and Method9,247 cited
  • 1963PHENOMENOLOGY OF PERCEPTION2,884 cited
  • 2009Music as social life: the politics of participation1,555 cited
  • 1999Rationality and Power: Democracy in Practice.1,531 cited
  • 1999Musicking: the meanings of performing and listening1,526 cited
  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 2000The Nature of Interpretation in Qualitative Research218 cited
  • 2009Narrative Inquiry in Music Education163 cited
  • 2004The Acquisition of Musical Performance Expertise: Deconstructing the ‘Talent’ Account of Individual Differences in Musical Expressivity141 cited
  • 1974The Oxford Anthology of English literature70 cited
  • 1948Education for musical growth.34 cited
  • 1931The psychology of school music teaching23 cited
  • 2008The Injustice of Singer/Non-Singer labels by Music Educators18 cited
  • 1931The Psychology of School Music Teaching16 cited
  • 2010Understanding Social-Cultural Influences Affecting Non-Participation in Singing

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14 cited

Cited by

  • 2016On being musical: Education towards inclusion7 cited
  • 2017Misconceptions Underplay Western Ways of Musicking: A Hermeneutic Investigation7 cited
  • 2021Musical engagement and identity: exploring young adults’ experiences, tastes, and beliefs4 cited