Articlehybrid2015

Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses

Katrien Keune · Jennifer L. Mass · Florian Meirer · Carol Pottasch · Annelies van Loon · Alyssa Hull +3 more

94 citations0/0 files storedJournal of Analytical Atomic Spectrometry

No readable copy stored yet — this record is metadata only.

Cultural Heritage Materials Analysis X-ray Spectroscopy and Fluorescence Analysis Building materials and conservation

Abstract

Realgar and orpiment, arsenic sulfide pigments used in historic paints, degrade under the influence of light, resulting in transparent, whitish, friable and/or crumbling paints.

Citations in this library

Stored only when both papers are in the corpus — 94 citations exist upstream.

References

1996Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy

Cited by

2016Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods 2016Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues 2018Applications of synchrotron X-ray nano-probes in the field of cultural heritage 2016Visualization of As( iii ) and As( v ) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings 2015Chromium speciation methods and infrared spectroscopy for studying the chemical reactivity of lead chromate-based pigments in oil medium 2021Pigments—Arsenic-based yellows and reds 2017Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments 2017From lapis lazuli to ultramarine blue: investigating Cennino Cennini’s recipe using sulfur K-edge XANES

Imported from OpenAlex (CC0) — nothing here is generated.