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The craft debate at the crossroads of global visual culture: re-centring craft in postmodern and postcolonial histories
15 references·1 citing·27 second hop
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this work references cited by second hop

References

  • 2017Thinking through Craft450 cited
  • 1987The myth of Japanese uniqueness330 cited
  • 1988The Myth of Japanese Uniqueness315 cited
  • 2007A Theory of Craft: Function and Aesthetic Expression218 cited
  • 2008Handmade Nation: The Rise of DIY, Art, Craft, and Design118 cited
  • 2004Japanese Modernisation and Mingei Theory79 cited
  • 2010The Craft reader77 cited
  • 2008Overcoming modernity: cultural identity in wartime Japan65 cited
  • 2016A potter's book34 cited
  • 2012The Tomb of the Unknown Craftsman29 cited
  • 2002The Persistence of Craft26 cited
  • 2009Style, Skill and Modernity in theZishaPottery of China18 cited
  • 2009“Traditional—with Contemporary Form”: Craft and Discourses of Modernity in Slovakia Today13 cited
  • 2005Objects and Meaning: New Perspectives on Art and Craft12 cited
  • 2013Mapping Craft in Contemporary India: Dilli Haat and Dastkari Haat Samiti's Crafts Maps10 cited

Cited by

  • 2024RETRACTED: Craft representation network and innovative heritage: the Forbidden City’s cultural and creative products in a complex perspective

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4 cited