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Notes on the Coso Petroglyphs, the Etiological Mythology of the Western Shoshone, and the Interpretation of Rock Art
6 references·6 citing·33 second hop
Notes on the Coso Petroglyphs, the Etiological Mythology of the Western Shoshone, and the Interpretation of Rock Art (1982)Notes on the Coso Petroglyphs, the Etiolo…Indian Rock Art of the Southwest (1984)Indian Rock Art of the Southw…A survey of North American Indian rock art (1979)A survey of North American In…Yiwara: Foragers of the Australian Desert (1969)Yiwara: Foragers of the Austr…Rock Drawings of the Coso Range: Inyo County, California (1968)Rock Drawings of the Coso Ran…Great Basin Petroglyphs and Prehistoric Game Trails (1959)Great Basin Petroglyphs and P…Meaning in the Visual Arts (1958)Meaning in the Visual ArtsAncient Earth Births: Compelling Convergences of Geology, Orality, and Rock Art in California and the Great Basin (2025)Ancient Earth Births: Compell…Petroglyphs andpuha: how multisensory experiences evidence landscape agency (2017)Petroglyphs andpuha: how mult…Digital technologies and quantitative approaches to recording rock art in the Great Basin, USA (2016)Digital technologies and quan…Reflections on a Possible Sheep Shrine at the Rose Spring Site (CA-INY-372), Rose Valley, Alta California (2012)Reflections on a Possible She…A Bibliography of Coso Rock Art Studies (2012)A Bibliography of Coso Rock A…Reproductive Symbolism in Great Basin Rock Art: Bighorn Sheep Hunting, Fertility and Forager Ideology (2011)Reproductive Symbolism in Gre…The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)The Cambridge illustrated history of prehistoric art (1998)The Ascendance of Hunting during the California Middle Archaic: An Evolutionary Perspective (2002)Great Basin Bighorn Ceremonialism: Reflections on a Possible Sheep Shrine at the Rose Spring Site (CA-INY-372), Rose Valley, Alta California (2012)Hunting and Gender as Reflected in the Central Negev Rock Art, Israel (2014)Anza's California Expeditions. (1931)Evolution of Chumash society : a comparative study of artifacts used for social system maintenance in the Santa Barbara Channel Region before A. D. 1804 (1990)Planting the Bones: Hunting Ceremonialism at Contemporary and Nineteenth-Century Shrines in the Guatemalan Highlands (2005)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)Style or Isochrestic Variation? A Reply to Sackett (1985)The Uses of Style in Archaeology (1994)New rock-art data from the state of Mato Grosso, Brazil: A graphical analysis of rock-art shelters between the Vermelho and Gavião rivers (2019)Signalling and Mobility: Understanding Stylistic Diversity in the Rock Art of a Great Basin Cultural Landscape (2025)THE ELEMENTARY FORMS OF RELIGIOUS LIFE (1916)Art And Agency (1998)Semiotics and the social analysis of material things (2003)The smell of power: the Apishapa pilgrimage trail (2019)From Participant Observation to the Observation of Participation: The Emergence of Narrative Ethnography (1991)Ritual and Religion in the Making of Humanity (1999)The Lifeways of Hunter-Gatherers: The Foraging Spectrum (2013)Indicators of unacknowledged assimilations from Amerindian maps on euro‐American maps of north America: Some general principles arising from a study of la vérendrye's composite map, 1728–29 (1986)Polydactyly in the prehistoric American Southwest (2006)Sacred landscapes of the south-eastern USA: prehistoric rock and cave art in Tennessee (2013)Multimodality in the TESOL Classroom: Exploring Visual-Verbal Synergy (2002)Qualitative Analysis and Documentary Method: In International Educational Research (2010)The levels of visual framing (2011)Form, Content, and Function: Theory and Method in North American Rock Art Studies (1985)The signs of the sacred: Identifying shamans using archaeological evidence (2009)Ritual Change and the Distant: Mesoamerican Iconography, Scarlet Macaws, and Great Kivas in the Mimbres Region of Southwestern New Mexico (2014)A Quantitative Analysis of Superimpositions in the Rock Art of the Coso Range, California (1979)Rock Art, Historical Memory, and Ethnic Boundaries (2002)Chronometric and Relative Age Determination of Petroglyphs in the Western United States (1984)Settlement, raw material, and lithic procurement in the central Mojave Desert (1990)
this work references cited by second hop

References

  • 1958Meaning in the Visual Arts434 cited
  • 1969Yiwara: Foragers of the Australian Desert199 cited
  • 1984Indian Rock Art of the Southwest140 cited
  • 1968Rock Drawings of the Coso Range: Inyo County, California43 cited
  • 1979A survey of North American Indian rock art28 cited
  • 1959Great Basin Petroglyphs and Prehistoric Game Trails15 cited

Cited by

  • 2011Reproductive Symbolism in Great Basin Rock Art: Bighorn Sheep Hunting, Fertility and Forager Ideology11 cited
  • 2016Digital technologies and quantitative approaches to recording rock art in the Great Basin, USA8 cited
  • 2017Petroglyphs andpuha: how multisensory experiences evidence landscape agency4 cited
  • 2012Reflections on a Possible Sheep Shrine at the Rose Spring Site (CA-INY-372), Rose Valley, Alta California0 cited
  • 2012A Bibliography of Coso Rock Art Studies0 cited
  • 2025Ancient Earth Births: Compelling Convergences of Geology, Orality, and Rock Art in California and the Great Basin0 cited

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