SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
A survey on the light-fastness properties of organic-based Alaska Native artifacts
14 references·6 citing·33 second hop
A survey on the light-fastness properties of organic-based Alaska Native artifacts (2010)A survey on the light-fastness properties…OPTIMUM ACCESS AT MINIMUM RISK: THE DILEMMA OF DISPLAYING JAPANESE WOODBLOCK PRINTS (2008)OPTIMUM ACCESS AT MINIMUM RIS…Ultraviolet‐filtered lighting and cellulose degradation: Evaluating the effect of light exposure on ethnographic collections (2003)Ultraviolet‐filtered lighting…Color science in the examination of museum objects: Nondestructive procedures (2002)Color science in the examinat…Airborne pollutants in museums, galleries and archives : risk assessment, control strategies, and preservation management (2002)Airborne pollutants in museum…A comparison of light‐accelerated ageing regimes in some galleries and museums (2001)A comparison of light‐acceler…Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Predicting The Fading of Obje…CHARACTERIZATION OF NATURAL PRODUCTS ON NATIVE AMERICAN ARCHAEOLOGICAL AND ETHNOGRAPHIC MATERIALS FROM THE GREAT BASIN REGION, U.S.A.: A PRELIMINARY STUDY (1995)CHARACTERIZATION OF NATURAL P…Monitoring Colour Change in Textiles on Display (1992)Monitoring Colour Change in T…Damage to museum objects by visible radiation (light) and ultraviolet radiation (uv) (1987)Damage to museum objects by v…The Chilkat dancing blanket (1982)The Chilkat dancing blanketThe museum environment (1978)The museum environmentTHE EFFECT OF OXYGEN, RELATIVE HUMIDITY AND TEMPERATURE ON THE FADING RATE OF WATERCOLORS. REDUCED LIGHT-DAMAGE IN A NITROGEN ATMOSPHERE. (1967)THE EFFECT OF OXYGEN, RELATIV…The Light-Fastness of the Natural Dyes (1966)The Light-Fastness of the Nat…Control of deteriorating effects of light upon museum objects* (1964)Control of deteriorating effe…Colored feathers in museum collections: A spectroscopic study of 3 bio-pigments and their lightfastness (2020)Colored feathers in museum co…A classification system to enhance light‐fastness data interpretation based on microfading tests and rate of colour change (2017)A classification system to en…A multi-technique approach for detecting and evaluating material inconsistencies in historical banknotes (2016)A multi-technique approach fo…Documenting the light sensitivity of Spanish Levantine rock art paintings (2015)Documenting the light sensiti…Micro-fading spectrometry: A tool for real-time assessment of the light-fastness of dye/textile systems (2012)Micro-fading spectrometry: A …Development and application of a mathematical model to explain fading rate inconsistencies observed in light‐sensitive materials (2012)Development and application o…Application of field portable EDXRF spectrometry to analysis of pigments of Levantine rock art (2010)An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art (2014)Proof of a pine wood origin for pitch from Tudor (Mary Rose) and Etruscan shipwrecks: application of analytical organic chemistry in archaeology (1987)The Organic Chemistry of Museum Objects (1988)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)FT-Raman spectroscopic study of organic residues from 2300-year-old Vietnamese burial jars (1997)Combined FT–Raman spectroscopic and mass spectrometric study of ancient Egyptian sarcophagal fragments (2006)Residues and Usewear (2013)National Gallery Technical Bulletin (1979)An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)A holistic multimodal approach to the non-invasive analysis of watercolour paintings (2015)“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures (2017)Fading by Light of Organic Dyes on Textiles and Other Materials (1966)The Fading Rates of Some Natural Dyes (1987)The Effect of Insect Fumigation by Anoxia on Textiles Dyed with Prussian Blue (2004)GC-MS analysis of curcumin dye after selective degradation treatment (2007)Non-destructive microfade testing at the National Museum of Australia (2011)Environmental monitoring in four European museums (2001)Environmental parameters in museums (2003)Review of preventive conservation in museum buildings (2017)Calibration and Use of Photosensitive Materials for Light Monitoring in Museums (2004)Spectral Optimization to Minimize Light Absorbed by Artwork (2018)UV ageing studies: evaluation of lightfastness declarations of commercial acrylic paints (2011)Pigments and Mixtures Identification by Visible Reflectance Spectroscopy (2013)Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique (2015)A spectrometric and chromatographic approach to the study of ageing of madder (Rubia tinctorum L.) dyestuff on wool (2007)Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) (2018)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)Wavelength-dependent fading of artists' pigments (1994)Understanding multispectral imaging of cultural heritage: Determining best practice in MSI analysis of historical artefacts (2020)Volatile aldehydes in libraries and archives (2010)Calcium hydroxide nanoparticles for the conservation of cultural heritage: new formulations for the deacidification of cellulose-based artifacts (2013)Multidisciplinary risk-based analysis for supporting the decision making process on conservation, energy efficiency, and human comfort in museum buildings (2016)
this work references cited by second hop

References

  • 1978The museum environment327 cited
  • 2002Airborne pollutants in museums, galleries and archives : risk assessment, control strategies, and preservation management147 cited
  • 1966The Light-Fastness of the Natural Dyes135 cited
  • 1999Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements96 cited
  • 2002Color science in the examination of museum objects: Nondestructive procedures88 cited
  • 1964Control of deteriorating effects of light upon museum objects*38 cited
  • 1995CHARACTERIZATION OF NATURAL PRODUCTS ON NATIVE AMERICAN ARCHAEOLOGICAL AND ETHNOGRAPHIC MATERIALS FROM THE GREAT BASIN REGION, U.S.A.: A PRELIMINARY STUDY37 cited
  • 1987Damage to museum objects by visible radiation (light) and ultraviolet radiation (uv)30 cited
  • 1992Monitoring Colour Change in Textiles on Display30 cited
  • 1982The Chilkat dancing blanket19 cited
  • 2001A comparison of light‐accelerated ageing regimes in some galleries and museums18 cited
  • 2008OPTIMUM ACCESS AT MINIMUM RISK: THE DILEMMA OF DISPLAYING JAPANESE WOODBLOCK PRINTS16 cited
  • 1967THE EFFECT OF OXYGEN, RELATIVE HUMIDITY AND TEMPERATURE ON THE FADING RATE OF WATERCOLORS. REDUCED LIGHT-DAMAGE IN A NITROGEN ATMOSPHERE.11 cited
  • 2003Ultraviolet‐filtered lighting and cellulose degradation: Evaluating the effect of light exposure on ethnographic collections

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

8 cited

Cited by

  • 2015Documenting the light sensitivity of Spanish Levantine rock art paintings21 cited
  • 2012Micro-fading spectrometry: A tool for real-time assessment of the light-fastness of dye/textile systems20 cited
  • 2016A multi-technique approach for detecting and evaluating material inconsistencies in historical banknotes17 cited
  • 2012Development and application of a mathematical model to explain fading rate inconsistencies observed in light‐sensitive materials16 cited
  • 2017A classification system to enhance light‐fastness data interpretation based on microfading tests and rate of colour change14 cited
  • 2020Colored feathers in museum collections: A spectroscopic study of 3 bio-pigments and their lightfastness12 cited