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‘And the Negro thinks in hieroglyphics’: comics, visual metonymy, and the spectacle of blackness
16 references·1 citing·30 second hop
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this work references cited by second hop

References

  • 1993Playing in the Dark: Whiteness and the Literary Imagination.3,067 cited
  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1999Metonymy in Language and Thought648 cited
  • 2008Colonialism and the Emergence of Science Fiction498 cited
  • 1997Visual intelligence: perception, image, and manipulation in visual communication345 cited
  • 2007The African City245 cited
  • 1996Graphic Storytelling and Visual Narrative214 cited
  • 1989Comics: Ideology, Power and the Critics209 cited
  • 2003Colored pictures: race and visual representation177 cited
  • 1987To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865.154 cited
  • 2010The Confessions of Nat Turner 1831134 cited
  • 2007The African City: A History107 cited
  • 2010Multicultural Comics: From Zap to Blue Beetle95 cited
  • 1998Comic Strips and Consumer Culture91 cited
  • 1997Visual Intelligence90 cited
  • 2003Images and Empires: Visuality in Colonial and Postcolonial Africa82 cited

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Cited by

  • 2015The role of culture in comics of the quotidian7 cited