Performing the old world, embracing the new: Festivalization, the carnivalesque, and the creation and maintenance of community in north american hungarian folk music and dance camps

Abstract

Every summer devotees of Hungarian folk music and dance attend camps in idyllic rural settings in Hungary, Romania, and North America where they study “authentic” repertoire with expert instructors. At such camps, traditional material is elevated on the altar of authenticity through constant comparison to the “real thing.” These comparisons underline the fact that North American camps are far away from the “homeland.” In other ways, however, these North American camps are their own homeland: they are a powerful nexus connecting people from different regions, creating what some frequent participants call an “instant community.” The unique character of these events is clearest at after-parties, when the “authentic” repertoire of scheduled programs is often displaced by popular forms from Hungary and Romania as well as genres from beyond the region. As the days and nights wear on, the atmosphere transforms from sacred rite to carnival. Drawing on fieldwork at camps in Hungary, Romania, Pennsylvania, Maryland, Quebec, and Michigan, I discuss how camps organizers and participants canonize “authentic” folk repertoire through conscious festivalization strategies. I then examine how the carnivalesque atmosphere of these camps both undermines purified concepts of “authenticity” and creates a sense of connection unique to North American camps.

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