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More Than Just a Fashion Magazine
3 references·16 citing·51 second hop
More Than Just a Fashion Magazine (2006)More Than Just a Fashion MagazineThe Fashioned Body: Fashion, Dress and Modern Social Theory (2000)The Fashioned Body: Fashion, …Fashion, Culture, and Identity (1992)Fashion, Culture, and IdentityFashion: From Class Differentiation to Collective Selection (1969)Fashion: From Class Different…Photographable femininities in women’s magazines and on Instagram (2021)Photographable femininities i…Exploring Fashion as Communication: The Search for a new fashion history against the grain (2020)Exploring Fashion as Communic…Why is Style Not in Fashion? Using the Concept of “Style” to Understand the Creative Industries (2018)Why is Style Not in Fashion? …How aesthetic logics shape a cultural field: Differentiation and consolidation in the transnational field of fashion images, 1982–2011 (2016)How aesthetic logics shape a …Empires, Federated Arrangements, and Kingdoms: Using Political Models of Governance to Understand Firms’ Creative Performance (2013)Empires, Federated Arrangemen…Balancing Between Open and Closed (2013)Balancing Between Open and Cl…Studying Consumption Behaviour through Multiple Lenses: An Overview of Consumer Culture Theory (2012)Studying Consumption Behaviou…Perspectives in Business Anthropology: Cultural Production, Creativity and Constraints (2011)Perspectives in Business Anth…Constructing femininity: A critical discourse analysis ofCosmo (2011)Constructing femininity: A cr…The relationships of fashion leadership, fashion magazine content and loyalty tendency (2010)The relationships of fashion …The Portrayal of Beauty in Women's Fashion Magazines (2010)The Portrayal of Beauty in Wo…Using design for upgrading in the fashion industry (2009)Using design for upgrading in…The organization of creativity in Japanese advertising production (2009)The organization of creativit…The Fashion Show as an Art Form (2009)The Fashion Show as an Art Fo…Globalization, the `new economy' and working women (2009)Globalization, the `new econo…From Manufacturing Garments for Ready-to-Wear to Designing Collections for Fast Fashion: Evidence from Turkey (2008)From Manufacturing Garments f…The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun (1982)Possessions and the Extended Self (1988)Modernity at Large: Cultural Dimensions of Globalization. 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this work references cited by second hop

References

  • 1992Fashion, Culture, and Identity1,032 cited
  • 2000The Fashioned Body: Fashion, Dress and Modern Social Theory874 cited
  • 1969Fashion: From Class Differentiation to Collective Selection748 cited

Cited by

  • 2012Studying Consumption Behaviour through Multiple Lenses: An Overview of Consumer Culture Theory90 cited
  • 2009The organization of creativity in Japanese advertising production65 cited
  • 2008From Manufacturing Garments for Ready-to-Wear to Designing Collections for Fast Fashion: Evidence from Turkey64 cited
  • 2013Balancing Between Open and Closed61 cited
  • 2009Using design for upgrading in the fashion industry53 cited
  • 2009Globalization, the `new economy' and working women40 cited
  • 2013Empires, Federated Arrangements, and Kingdoms: Using Political Models of Governance to Understand Firms’ Creative Performance40 cited
  • 2010The Portrayal of Beauty in Women's Fashion Magazines36 cited
  • 2016How aesthetic logics shape a cultural field: Differentiation and consolidation in the transnational field of fashion images, 1982–201131 cited
  • 2018Why is Style Not in Fashion? Using the Concept of “Style” to Understand the Creative Industries31 cited
  • 2010The relationships of fashion leadership, fashion magazine content and loyalty tendency

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30 cited
  • 2009The Fashion Show as an Art Form21 cited
  • 2011Perspectives in Business Anthropology: Cultural Production, Creativity and Constraints18 cited
  • 2020Exploring Fashion as Communication: The Search for a new fashion history against the grain17 cited
  • 2011Constructing femininity: A critical discourse analysis ofCosmo17 cited
  • 2021Photographable femininities in women’s magazines and on Instagram16 cited