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The Evolution of Taipei’s Music Industry: Cluster and Network Dynamics in the Innovation Practices of the Music Industry
16 references·7 citing·46 second hop
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References

  • 1998Basics of qualitative research : techniques and procedures for developing grounded theory38,622 cited
  • 2004Clusters and knowledge: local buzz, global pipelines and the process of knowledge creation4,459 cited
  • 2004Buzz: face-to-face contact and the urban economy2,701 cited
  • 2006Path dependence and regional economic evolution2,433 cited
  • 2000The Regional World: Territorial Development in a Global Economy2,223 cited
  • 1998The regional world: territorial development in a global economy2,160 cited
  • 2008In the Social Factory?1,361 cited
  • 1972Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems1,345 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2002Cool Projects, Boring Institutions: Temporary Collaboration in Social Context855 cited
  • 2004Cultural Clusters and the Post-industrial City: Towards the Remapping of Urban Cultural Policy649 cited
  • 1999Evolutionary economics and economic geography637 cited
  • 2002Sound Tracks: Popular Music Identity and Place424 cited
  • 2003Sound Tracks423 cited
  • 2004Cultural-Products Industries and Urban Economic Development

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414 cited
  • 2006Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited401 cited
  • Cited by

    • 2017Managing inter-firm projects: A systematic review and directions for future research89 cited
    • 2019Co-innovation processes in the music business18 cited
    • 2018Co-innovation: a review and conceptual framework15 cited
    • 2018Multi-actor innovation in the music industry: a state of the art review12 cited
    • 2021Cultural and creative production in the era of globalization: Exploring the trans-border mobility of Chinese media and entertainment celebrities10 cited
    • 2015What If Hewlett and Packard Had Started a Band Instead? An Examination of a Music Scene as Economic Cluster10 cited
    • 2017Niche, Ethnic and Global Operations8 cited