Politics as Theatre: Metaphors of the Stage in German History, 1848–1933

Abstract

ALL the world's a stage, as we know, and the concept of a theatrum mundi is a venerable one. So too is the specific idea of politics as theatre. As an idea it may not seem very remarkable. Politics lives off metaphor, after all, and theatrical metaphor might seem especially appropriate to describe political activity. Do we not refer naturally to the political stage, to politicians assuming roles, to dramatic political scenes? This very naturalness, derived from repeated usage, presents a challenge. For one of the tasks of the historian is to show how what has come to seem natural came to seem so: to restore the novelty of artefacts and institutions we take for granted, to recover the impact of ideas and metaphors worn smooth by repetition. I want to argue below that metaphors of politics as theatre can be more than just a figure of speech: that they had specific and revealing meanings in the period of German history from the revolutions of 1848 to the advent of National Socialism.

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