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Preserving Film Preservation in the Digital Era
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Preserving Film Preservation in the Digital Era (2013)Preserving Film Preservation in the Digit…CODE OF ETHICS (2013)CODE OF ETHICSPoints of Origin: Discovering Ourselves through Access (2010)Points of Origin: Discovering…From Film Restoration to Digital Emulation (2010)From Film Restoration to Digi…Are All (Analog) Films “Orphans”?: A Predigital Appraisal (2009)Are All (Analog) Films “Orpha…Saving, Rebuilding, or Making: Archival (Re) Constructions in Moving Image Archives (2008)Saving, Rebuilding, or Making…Film Preservation: Competing Definitions of Value, Use, and Practice (2008)Film Preservation: Competing …Moving Image Preservation and Cultural Capital (2007)Moving Image Preservation and…Film Preservation: Competing Definitions of Value, Use, and Practice (2007)Film Preservation: Competing …Moving History: Promoting Moving Image Archive Collections in an Emerging Digital Age (2004)Moving History: Promoting Mov…Restoration of Motion Picture Film (2000)Restoration of Motion Picture…Keepers of the frame: the film archives (1995)Keepers of the frame: the fil…Organization and Management of Film Archives and Libraries (1994)Organization and Management o…Illuminations: Essays and Reflections (1968)Audiovisual archiving : philosophy and principles (2004)A glossary of archival and records terminology (2006)MEDIA ARTS CENTERS AS ALTERNATIVE ARCHIVAL SPACES: INVESTIGATING THE DEVELOPMENT OF ARCHIVAL PRACTICES IN NON-PROFIT MEDIA ORGANIZATIONS (2014)cine en los museos de arte contemporáneo (2015)Personal Archives and a New Archival Calling: Readings, Reflections and Ruminations (2009)ACCESS AND THE EXPERIMENTAL FILM: New Technologies and Anthology Film Archives' Institutionalization of the Avant-Garde (2012)Digital Humanities Pedagogy: Practices, Principles and Politics (2012)The Transformation of Archival Philosophy and Practice Through Digital Art (2014)The Forms of Capital (2002)Cultural Research and Intangible Heritage (2009)YouTube versus the National Film and Sound Archive: Which Is the More Useful Resource for Historians of Australian Television? (2010)Between narratives and lists: performing digital intangible heritage through global media (2013)The ASPERA digital online archive/repository: key issues facing the contemporary moving image archive (2011)Preservation First?: Re-Viewing Film Digitization (2016)Film Curatorship - Archives, Museums, and the Digital Marketplace (2020)Film Museum Practice and Film Historiography (2017)Reconsidering Technical Labor in Information Institutions: The Case of Analog Video Digitization (2019)Just Another Form of Ideology? Ethical and Methodological Principles in Film Restoration (2006)‘Unnatural Colours’: An introduction to colouring techniques in silent era movies (2009)From Grain to Pixel (2011)Reflections on the Recent Cinephilia Debates (2010)Cultural–Historical Geographies of the Archive: Fragments, Objects and Ghosts (2013)Yours ever (well, maybe): studies and signposts in letter writing (2010)Discovering Black Film History: Tracing the Tyler, Texas Black Film Collection (2011)Guidelines for clinical supervision in health service psychology. (2015)Semi-authentic practices for student health interpreters (2015)Counseling Across Cultures (2017)The Conservation of Moving Images (2010)Practice theory: a new approach for archival and recordkeeping research (2017)Personal digital archiving for journalists: a “private” solution to a public problem (2018)
this work references cited by second hop

References

  • 2013CODE OF ETHICS1,289 cited
  • 2000Restoration of Motion Picture Film178 cited
  • 1995Keepers of the frame: the film archives91 cited
  • 2007Moving Image Preservation and Cultural Capital61 cited
  • 2008Film Preservation: Competing Definitions of Value, Use, and Practice32 cited
  • 2010Points of Origin: Discovering Ourselves through Access26 cited
  • 2007Film Preservation: Competing Definitions of Value, Use, and Practice24 cited
  • 2009Are All (Analog) Films “Orphans”?: A Predigital Appraisal11 cited
  • 2010From Film Restoration to Digital Emulation9 cited
  • 2008Saving, Rebuilding, or Making: Archival (Re) Constructions in Moving Image Archives9 cited
  • 2004Moving History: Promoting Moving Image Archive Collections in an Emerging Digital Age7 cited
  • 1994Organization and Management of Film Archives and Libraries2 cited

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