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Elizabethan Popular Theatre: Plays in Performance.
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Elizabethan Popular Theatre: Plays in Performance. (1988)Elizabethan Popular Theatre: Plays in Per…"The Stage is Hung with Blacke": On the Use of Black curtains for Tragedies in the Early Modern Period (2014)"The Stage is Hung with Black…Acting Pirates: Converting A Christian Turned Turk (2007)Acting Pirates: Converting A …The Sacralization of Revenge in Antonio's Revenge (2005)The Sacralization of Revenge …"Bodied Forth": Spectator, Stage, and Actor in the Early Modern Theater (2005)"Bodied Forth": Spectator, St…‘What Strange Riddle’s This?’: Deciphering ’Tis Pity She’s a Whore (2001)‘What Strange Riddle’s This?’…Marlowe’s Literary Double Agency: Doctor Faustus as a Subversive Comedy of Error (2000)Marlowe’s Literary Double Age…Marlowe's Edward II and the Medieval Passion Play (1998)Marlowe's Edward II and the M…Building a Scene: The Text and Its Representation in The Atheist’s Tragedy (1985)Building a Scene: The Text an…The Complete Works of Shakespeare (1854)The Riverside Shakespeare (1999)The Elizabethan Stage (2009)Renaissance Self-Fashioning from More to Shakespeare (1982)Subject and Object in Renaissance Culture (1998)Renaissance clothing and the materials of memory (2001)Elizabethan Revenge Tragedy, 1587-1642 (1966)Non-Cycle Plays and Fragments (1972)Time and Gender on the Shakespearean Stage (2020)The Hidden Dimension (1973)The Production of Space (1992)Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. (1985)Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and His Contemporaries (1985)The Subject of Tragedy: Identity and Difference in Renaissance Drama (1987)The Raw and the Cooked in Ford’s ’Tis Pity She’s a Whore (2011)Brecht on Theatre: The Development of an Aesthetic (1964)Elizabethan Stage Conventions and Modern Interpreters (1984)Introduction (2002)The Dialogic Imagination: Four Essays (1981)The Eighteenth Brumaire of Louis Bonaparte (1996)The King's Two Bodies: A Study in Mediaeval Political Theology (1958)Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion (1990):Corpus Christi: The Eucharist in Late Medieval Culture (1992)'Skreaming like a pigge halfe stickt': vernacular topoi in the carnivalesque martyrdom of Edward II (2005)Apocalypse Then: TAMBURLAINE and the Pleasures of Religious Fear (2006)Breeching the Boy in Marlowe's Edward II (2006)
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Cited by

  • 1985Building a Scene: The Text and Its Representation in The Atheist’s Tragedy14 cited
  • 2005The Sacralization of Revenge in Antonio's Revenge12 cited
  • 1998Marlowe's Edward II and the Medieval Passion Play11 cited
  • 2005"Bodied Forth": Spectator, Stage, and Actor in the Early Modern Theater8 cited
  • 2001‘What Strange Riddle’s This?’: Deciphering ’Tis Pity She’s a Whore6 cited
  • 2014"The Stage is Hung with Blacke": On the Use of Black curtains for Tragedies in the Early Modern Period4 cited
  • 2000Marlowe’s Literary Double Agency: Doctor Faustus as a Subversive Comedy of Error4 cited
  • 2007Acting Pirates: Converting A Christian Turned Turk2 cited

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