SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
“What Comes after Loss?”: Ana Mendieta after José
9 references·0 citing·30 second hop
“What Comes after Loss?”: Ana Mendieta after José (2015)“What Comes after Loss?”: Ana Mendieta af…‘…Towards A Personal Will To Continue Being “Other”’: Ana Mendieta's Abject Performances (2015)‘…Towards A Personal Will To …Vitalism's after-burn: The sense of Ana Mendieta (2011)Vitalism's after-burn: The se…Cruising utopia: the then and there of queer futurity (2010)Cruising utopia: the then and…Dead Subjects: Toward A Politics Of Loss In Latino Studies (2007)Dead Subjects: Toward A Polit…Performing greater Cuba: Tania Bruguera and the burden of guilt (2000)Performing greater Cuba: Tani…Where Is Ana Mendieta? (1999)Where Is Ana Mendieta?Disidentifications: Queers Of Color And The Performance Of Politics (1999)Disidentifications: Queers Of…The Utopian Function of Art and Literature: Selected Essays (1988)The Utopian Function of Art a…Powers of Horror: An Essay on Abjection (1984)Powers of Horror: An Essay on…Bodies That Matter (2011)Empiricism and subjectivity: an essay on Hume's theory of human nature (1992)Means of Detection: A Critical Archiving of Black Feminism and Punk Performance (2012)Waiting in the seat of sensation: the Brown existentialism of Ryan Rivera (2015)The defiant still worker: Ramiro Gomez and the expressionism of abstract labor (2019)THE LANGUAGE OF PSYCHOANALYSIS (1977)States of Injury (1995)The Acoustic Body: Rumba Guarapachanguera and Abakuá Sociality in Central Park (2009)You Can Bring All Your Friends (2016)The Language of Psychoanalysis (2018)The trouble with normal: sex, politics, and the ethics of queer life (2000)3.2. MARXISM AND LITERATURE (2006)The scene of Harlem cabaret: race, sexuality, performance (2010)Unthinking Mastery Dehumanism and Decolonial Entanglements (2017)Discriminating Data (2021)Gender and Politeness (2003)Globalization and Religious Nationalism: Self, Identity, and the Search for Ontological Security (2004)Methodology of the Oppressed (2010)"Quare" studies, or (almost) everything I know about queer studies I learned from my grandmother (2001)Feeling Brown, Feeling Down: Latina Affect, the Performativity of Race, and the Depressive Position (2006)The commons: Infrastructures for troubling times* (2016)The Slaughterhouse of Literature (2000)The Center Cannot Hold: Consuming the Utopian Marketplace: Figure 1 (2005)The Anthropology of the Future (2019)For “the Children” Dancing the Beloved Community (2009)Reading Chican@ Like a Queer (2010)Forms of Opacity: Roaches, Blood, and Being Stuck in Xandra Ibarra's Corpus (2017)Passing, Cultural Performance, and Individual Agency: Performative Reflections on Black Masculine Identity (2004)The Temporality of the Landscape Revisited (2016)Disability Justice: Rethinking “Inclusion” in Arts Education Research (2018)
this work references cited by second hop

References

  • 1984Powers of Horror: An Essay on Abjection7,345 cited
  • 2010Cruising utopia: the then and there of queer futurity5,329 cited
  • 1999Disidentifications: Queers Of Color And The Performance Of Politics4,074 cited
  • 1988The Utopian Function of Art and Literature: Selected Essays492 cited
  • 1999Where Is Ana Mendieta?57 cited
  • 2011Vitalism's after-burn: The sense of Ana Mendieta53 cited
  • 2007Dead Subjects: Toward A Politics Of Loss In Latino Studies50 cited
  • 2015‘…Towards A Personal Will To Continue Being “Other”’: Ana Mendieta's Abject Performances27 cited
  • 2000Performing greater Cuba: Tania Bruguera and the burden of guilt25 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work