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Being a part of the family? Genre, gender and production in a Japanese TV drama
9 references·1 citing·33 second hop
Being a part of the family? Genre, gender and production in a Japanese TV drama (2000)Being a part of the family? Genre, gender…The Encyclopedia of Japanese Pop Culture. (1998)The Encyclopedia of Japanese …Representation: Cultural representations and signifying practices. (1997)Representation: Cultural repr…Broken silence: voices of Japanese feminism (1997)Broken silence: voices of Jap…Cultural studies and communications (1996)Cultural studies and communic…Nightwork (1994)NightworkChannels of discourse, reassembled : television and contemporary criticism (1992)Channels of discourse, reasse…The political economy of the television (super) text (1984)The political economy of the …Visible Fictions: Cinema: Television: Video (1982)Visible Fictions: Cinema: Tel…Making News: A Study in the Construction of Reality. (1981)Making News: A Study in the C…Extraordinary Experience: Re-enacting and Photographing at Screen Tourism Locations (2010)Extraordinary Experience: Re-…Place and Placelessness (1978)How Societies Remember (1989)The Work of Art in the Age of Mechanical Reproduction (2007)Applying a mixed method of quantitative and qualitative design in explaining the travel motivation of film tourists in visiting a film-shooting destination (2014)Location, Location, Location: Citizen-Fan Journalists’ “Set Reporting” and Info-War in the Digital Age (2015)Influence of celebrity involvement on place attachment: role of destination image in film tourism (2017)Resistance Through Rituals: Youth Subcultures in Post-War Britain (1976)Resistance Through Rituals (1978)Culture, Society and the Media. (1983)Colonial Time and TV Time: Television and Temporality in Belize (1994)Television under construction: American television and the problem of distribution, 1926-62 (1999)Back to the Drawing Board: Graphic Design and the Visual Environment of Television at Midcentury (2016)The Discursive Construction of National Identity (2009)Rethinking Critical Theory and Qualitative Research (2011)Thematic Analysis (2022)The Role of Television in the Construction of Consumer Reality (1997)Flow and Media Enjoyment (2004)Naturalizing Racial Differences Through Comedy: Asian, Black, and White Views on Racial Stereotypes in Rush Hour 2 (2006)Pictures and the bottom line: The television epistemology of U.S. annual reports (1996)TV Got Better: Netflix’s Original Programming Strategies and the On-Demand Television Transition (2015)Ecocinema Theory and Practice 2 (2022)Who initiates a global flow? Japanese popular culture in Asia (2002)A conceptual model linking brand building strategies and Japanese popular culture (2006)A Concise History of Japan (2015)Audience research at the crossroads (1998)Masculinities, Performativity, and Subversion (2005)The celebritization of society and culture: Understanding the structural dynamics of celebrity culture (2012)Real time: Unwinding technocratic and anthropological knowledge (2004)Queer Studies in the House of Anthropology (2007)The Girl Hunt: Urban Nightlife and the Performance of Masculinity as Collective Activity (2007)Framing responsibility for political issues: The case of poverty (1990)An Insider's Critique of the Social Movement Framing Perspective* (1997)Community, Communication, and Participation: The Role of Mass Media and Interpersonal Discussion in Local Political Participation (1999)
this work references cited by second hop

References

  • 1997Representation: Cultural representations and signifying practices.7,801 cited
  • 1981Making News: A Study in the Construction of Reality.2,354 cited
  • 1982Visible Fictions: Cinema: Television: Video600 cited
  • 1994Nightwork531 cited
  • 1992Channels of discourse, reassembled : television and contemporary criticism269 cited
  • 1996Cultural studies and communications188 cited
  • 1984The political economy of the television (super) text99 cited
  • 1998The Encyclopedia of Japanese Pop Culture.54 cited
  • 1997Broken silence: voices of Japanese feminism16 cited

Cited by

  • 2010Extraordinary Experience: Re-enacting and Photographing at Screen Tourism Locations142 cited

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